Friday, April 03, 2026

El Michels Affair - 24 Hr Sports (Instrumental)

Big Crown Records is proud to present the instrumental version of El Michels Affair’s 2025 instant classic 24 Hr Sports. The roster of vocal features on 24 Hr Sports is amazing, Clairo, Norah Jones, Florence Adooni, Shintaro Sakamoto, two different choirs, and even singing from the man himself, Leon Michels. The background vocals contributions are amazing; Lady Wray and Kevin Martin from Brainstory to name a few. But alas, there’s a new energy that shows up in the listen when you pair it down to the impeccable musicianship and Leon’s tried and true “Midas Touch” production. Leon plays a ton of instruments across the album and is joined by the regular cast of heavy hitters; Homer Steinweiss, Nick Movshon, Dave Guy, Marco Benevento, Hether, and more. There is even a saxophone solo by the late, great Rahsaan Roland Kirk.

Some would argue this is some of the best music being made by some of the best musicians of our time. We wouldn’t argue with anyone...we let the music do what it does.

Tracklist:
1. Drumline (Instrumental)
2. Magica 
(Instrumental)
3. 24 Hr Sports Theme No. 1 (Instrumental)
4. Say Goodbye(Instrumental)
5. Oakley's Car Wash (feat. Dave Guy) (Instrumental)
6. Anticipate (Instrumental)
7. Eastside (Instrumental)
8. Clean The Line (Instrumental)
9. Cortex (Instrumental)
10. Shining (Instrumental)
11. 24 Hr Sports Theme No. 2 (Instrumental)
12. Indifference (Instrumental)
13. Carry Me Away (Instrumental)
14. Take My Hand (feat. Rahsaan Roland Kirk) (Instrumental)
15. Open Season (Instrumental)
16. Victory Lap (Instrumental)

Henriette Eilertsen - Moder

Henriette Eilertsen's solo debut from 2021, "Poems for flute", is regarded by many as one of the classics in the Motvind Records catalogue. Since then, many concertgoers have also been thrilled by the flautists fresh trio, with Joel Ring (cello & electronics) and Øystein Aarnes Vik (drums). Finally, we are all approaching the opportunity to dive deep into this warm, mysterious and alluring sonic bath.

Henriette Eilertsen Trio's debut album "Mother" is characterized by captivating compositions, and balanced interaction that at the same time manages to be intimate and almost limitlessly expansive. The leader's unmistakable tone and improvisational excess are naturally a focal point, but there is no doubt that we are dealing with a proper band. Joel Ring and Øystein Aarnes Vik are masterfully light-footed and tight; calmly driving the music forward, filling it with color and texture.

The music is acoustically anchored, refined with abstract electronic gestures and processing. Throughout the albums ten pieces, we are offered catchy tunes, chamber musical landscapes and open passages characterized by collective exploratory curiosity. Pianist and innovator Jon Balke contributes on the three tracks “Medieval + Moren”, “Raka Blakk” and “Kulturistisk ingang”, further expanding the music with his non-compromising and timeless tone.

Eilertsen is simultaneously moving in several dimensions. The title “Moder” embraces the core of her musical agenda; a caring force that digs into both something mother-earthly, and something more abstract and over-arching. The flute functions as a narrator throughout the album; sometimes in the center of the plot, sometimes observing from a distance.

One can easily imagine that "Moder" would have been a hit a thousand years ago, and that adventurous music lovers will experience it as a musical pot of gold a thousand years from now.

It is often emphasized that Eilertsen was the first in Norway to be trained as a jazz flautist. However, it also feels relevant to point out that her education is of a far more wide-ranging and holistic nature than what specific genre designations can insinuate.

The flute is almost omnipresent in the history of music. Both across cultures and continents, but also across classes; for both shepherds in the mountains, and nobility in castles and concert halls. For many, this historical ballast takes the form of a challenge. Where many seem to be engaged in a wrestling match with cannon, it seems as if Eilertsen meets it with a warm and understanding embrace. A gust of wind between the pasture and the wide-open cosmos, that elegantly and insistently carries the instrument's history into the future.
 

Tracklist:
1. Fly Ikaros
2. Meeting Joyce
3. Medieval + Moren (feat. 
Jon Balke)
4. Raka blakk (feat. Jon Balke)
5. So ro
6. Tretakt
7. Botanisk vinterhage II
8. Kulturistisk inngang 
(feat. Jon Balke)
9. Darn den draumen
10. LOKK

IKE - Clay EP

Almost exactly a year on since we first opened your ears to the lush, cinematic, international sounds of Italian producer and musician Isaac de Martin, he returns as IKE with an expanded EP, offering up a wondrous selection of genre bending takes on the track Clay - one of highlights of 2025’s On Higher Dreams LP.

Last year’s debut for Wah Wah 45s blended jazz and electronic influences into warm, evocative, global soundscapes. IKE is a musical nomad, and one of his favourite places to visit is Egypt. It’s a country that has always held a deep fascination for him, and was deeply influential in the making of the On Higher Dreams album.

The ancient Egyptians would mould small, uniform statuettes known as Ushabti, often out of clay. They would be placed in tombs to act as servants for the deceased in the afterlife. Ushabti roughly translates to
“answerer”, reflecting their role to respond when the deceased was called to work. They weren’t just found in the tombs of the Pharaohs (whose Ushabti would often be made of more expensive materials) but would often be discovered in the resting places of farmers and other manual workers who would be more likely to be at rest with ones made out of clay. In this way, the track is a tribute to equality and dignity for all in the afterlife.

Just as clay can be easily re-shaped by hand, the song itself has here been moulded into five new forms that sit peacefully alongside the original album take. Having worked with Brighton based singer-songwriter (and erstwhile Resonator) Faye Houston on a live show last year, IKE invited her to record her version of the song, which she wrote her own lyrics for, transforming it into an ode to giving and receiving love. The recording also features sophisticated Italian jazz drummer, Jacopo Zanette, who embellishes the groove with a thousand ghost notes while keyboard wizard Valerio Pascucci imposes wild bass notes on the Moog. The result is a powerful and transformative rendition of this evocative piece.

Three other versions came to life on a return visit to Cairo later in 2025 - the first while Chilling at The Bahareya Oasis, and consequently delivering a more carefree, yet somehow driving take that conjures up images of desert sands and the joy of finding relief in the arid heat. Another is the version recorded Live at The Heliopolis University in Cairo. This more quirky, dub influenced rendition features Felipe Vignolo on guitar, as well as local musicians Mody El Shaafee on nay (a traditional end-blown flute), Sherif Moustafa on piano, Moris Emil on electric bass, Hany Zain on percussions and Islam Magdy on drums.

Finally, the Cairo Sandy Roads interpretation heads off in a pseudo-drum & bass direction, erupting into an electro-acoustic frenzy. Added to the package is Clay in its original dubwise form, as well as a very useful instrument of the trio version of the track.

Tracklist:
1. Clay (Trio Version) (feat. 
Faye Houston)
2. Clay (Chilling At Bahareya Oasis)
3. Clay (Live at Heliopolis University, Cairo)
4. Clay (Cairo Sandy Roads)
5. Clay
6. Clay (Trio Instrumental)

Immanuel Wilkins - Immanuel Wilkins Quartet: Live at the Village Vanguard Vol. 1

GRAMMY-nominated alto saxophonist & composer Immanuel Wilkins releases his first-ever live album, a searing 3-volume document of his acclaimed quartet in action at a hallowed NYC jazz shrine: Immanuel Wilkins Quartet: Live At The Village Vanguard. Wilkins’ quartet featuring Micah Thomas on piano, Ryoma Takenaga on bass, and Kweku Sumbry on drums takes flight on expansive explorations of Wilkins originals in a room steeped in jazz lore, adding his name to a list of jazz greats who have made seminal live recordings within these same walls including John Coltrane, Sonny Rollins, Joe Henderson, Bill Evans, and others.

Tracklist:
1. WARRIORS (Live)
2. COMPOSITION II (Live)
3. CHARANAM (Live)
4. ETERNAL (Live)



Homeboy Sandman - Prayer Mat

Kyla Kilzer - Sip & Wonder

There’s a quiet kind of magic that happens when two artists meet at the exact right moment. For Brighton-based 23-year-old singer-songwriter Kyla Kilzer and Jersey-born producer Max Noir, that meeting became Sip & Wonder, a five-track project tracing the slow unfurling of emotion, growth, and self-acceptance. It’s an EP that feels lived in, like pages torn from an old journal, set to beats that shift between soft garage rhythms, introspective hip-hop, and spacious alt-R&B.

Kyla and Max met by chance, and their first studio session birthed the track, ‘Break Through’ - a trip-hoppy meditation on breaking cycles and learning to be gentle with yourself when you inevitably fall back into them. “It was by chance,” Kyla says, “and yet it’s led to so many beautiful things.” The track sets the tone for the rest of the record: grounded but expansive, calm but defiant, built from that shared instinct to turn feeling into sound.

With ‘Frustration’, the tempo simmers. Kyla channels anger into rhythm, Spanish-tinged percussion dances across a hip-hop beat, her voice shifting from silk to steel. “I was angry with myself,” she recalls, “but we just channelled it all into music and came out with this lovely piece.” It’s catharsis rendered in sound, the tension of emotion made tangible through breathy harmonies and bossa nova textures.

On ‘Stay Calm’, the pace slows to a deep exhale. Written as a personal mantra to manage anxiety, it’s tender and grounding, a reminder to come back to the body, to use your senses to steady the noise. Kyla’s voice moves like water over Max’s stripped-back production, the space between each sound deliberate and soothing. “It keeps me calm and serene,” she says simply, and the song does the same for anyone listening.

‘MOOD’ carries that emotional honesty into sharper focus. A song born from friendship, heartbreak, and the ache of realising someone wasn’t who you hoped they’d be. “It broke me more than any romantic relationship I’ve ever had,” Kyla admits. The result is a cinematic blend of moody strings and introspective lyricism, a balance of strength and vulnerability that both artists lean into naturally. “It started with a melody,” Max says, “but after a few revisions, Kyla wrote something incredible around it.”

When ‘Take My Time’ arrives, the duo ease listeners into a world of patience and presence - an airy garage groove threaded with Kyla’s soft, effortless vocals. It’s a song about moving at your own pace, refusing to measure your worth against the speed of others. “It’s fun and upbeat,” she explains, “but it still holds that message of bravery, of not caring what anyone else thinks.” Max’s production keeps things clean and propulsive, layers of strings rising and folding back into motion.

Across ‘Sip & Wonder’, Kyla and Max craft a world that’s equal parts intimate and expansive, music that feels like a conversation between two people learning, healing, and experimenting in real time. It’s the sound of patience rewarded, of lessons learned and cycles broken. A gentle reminder that taking your time is sometimes the fastest way to grow.

Tru Thoughts heard about this music through BandLab Technologies (BandLab/ReverbNation) through an artist submission campaign via Opportunities, and BandLab/ReverbNation are supporting this release.
 

Tracklist:
1. Break Through
2. Frustration
3. Stay Calm
4. MOOD
5. Take My Time

Luke Una - Luke Una Presents É Soul Cultura, Vol. 3

*Please note, physical and digital tracklists differ slightly*

The third volume in Luke Una’s cherished É Soul Cultura compilation series on Mr Bongo. A tribute to the dancefloor and its ability to spread love.

With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and its power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 17 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move the body as much as the heart.

From his formative years in Sheffield to co-founding Manchester’s much-fabled Electric Chair with Justin Crawford, through to helming the iconic LGBTQ institutions of Homoelectric / Homobloc, Luke has spent 40 years immersed in dance music. His latest outlet, É Soul Cultura, has grown from a label to a globe-spanning events series with Luke holding residencies and embarking on tours across the world from Japan and Australia to America and Europe.

“For me, the dancefloor was never about a one-dimensional, thudding, 130 BPM beat only. It's a much more dynamic, broader vision than that. I cut my teeth in an era where a 100 BPM record had as much impact, excitement, and energy as a 134 BPM dancefloor jazz funk or techno record”, Luke mentions. É Soul Cultura Volume 3 is the perfect embodiment of that notion: “It’s about four decades in the trenches playing dance music, the late-night afters, the shebeens, the basements, warehouse parties, the eight-hour journeys in East London, through to festival sets at Houghton and We Out Here. It’s music unconstrained by genre or tempo and more about making your body move”.

But this isn’t simply a collection of disparate dance tracks; they carry meaning and soul. “It’s less about escapism, more about reconnection. My experience of post-covid has been the coming together of all the clans in various clubs and gatherings. A reaction to a very toxic world out there, where the aggro rhythms of division have sought to divide us, and people don't meet as often. The coming back together face-to-face in clubs has encouraged a real love in the air, there's a real togetherness and collective spirit”.

Opening up the compilation is a track that channels that very message, the transcendental, soul-rousing Harris & Orr ‘Spread Love’. Joining the dots from there, to the low-slung deep house closer of Fatdog ‘Remember’, you’ll find electronic drum machine Nigerian funk, sitting side by side with dancefloor Cape Verdean brilliance, a post-punk cover of Fela Kuti, rubbing shoulders with cosmic electro, and an Una-championed, 8-minute, kickless DJ Harvey remix. There’s jazz funk in various guises moving from boogie synth to astral travelling, slo-mo acidic raw techno, and a ‘79 soul stepper, alongside swirling percussive Italo disco and tribal-charged house. All infused with an innate ability to bring people together.

As society becomes increasingly fractured, É Soul Cultura Volume 3’s message is more than movement. It’s about dance music’s power to unify people from all walks of life and break down the barriers that divide us.

Tracklist:
1. Harris & Orr - Spread Love
2. Toshiyuki Honda - Burnin' Waves
3. Igna Igwebuike - Disco Bomp
4. Admin - Step Into Light
5. Grupo Serenata - Sodade, Tem Pena D'Mim
6. Vital Disorders - Zombie
7. Alphonsus Idigo - Flight 505
8. DJ Food - Peace (Harvey's 30 Something Mix)
9. Man Jumping - In The Jungle
10. Naveed - Day Come Through
11. 49th Floor - Night Passage (Bongo Mix)
12. Orion Agassi - Desacato
13. FatDog - Remember

Modha - At Your Pace

Dhanya Langer and Max Scholl share a common vision. Tired of the soulless perfection of much modern music, the Berlin-based duo behind Modha have consciously embraced a raw, emotionally honest approach to artistic creation. Their second album At Your Pace captures the energy of live studio sessions, experiments with time signatures, welcomes imperfections, and refuses the relentless tempo imposed by the mainstream music industry and social media culture.

Their songs speak candidly about mental health, vulnerability, and the challenge of making art while navigating the emotional and economic realities of everyday life.

Max, originally from the historic town of Limburg in Western Germany, began his musical journey at just six years old in a metal band, before transitioning to jazz and hip-hop — two genres that continue to shape his sonic identity. Dhanya, from Freiburg in the Black Forest, studied music at university but dropped out to follow a more intuitive, less academic path — eventually working as a drummer and producer in Berlin. It was there that the two met and formed Modha.

Their early collaboration led to the Getting By EP, released on Pinewax in 2020, featuring local talents like JuJu Rogers and James Chatburn. That collaborative ethos remains at the heart of their creative practice — and At Your Pace is perhaps the most complete expression of that spirit to date.

The album is defined by its network of trusted musicians, each contributing their voice, textures, and energy. On Good News, Naarm-based vocalist and producer Allysha Joy (30/70) delivers a warm and soulful performance that feels like a deep exhale. Find Me (Underneath the Sun) features okcandice, whose poetic vocals bring understated brilliance to a song about presence, loss, and emotional memory. Longtime collaborator James Chatburn returns on the tender and minimal The Bee by the Pool, adding his unmistakable tone to the emotional core of the record.

The shimmering single River — featuring Hungarian producer Àbáse and flautist Fanni Zahár — moves through soulful textures and layered instrumentation, while Baton Rouge rapper Wakai brings crisp, articulate verses to Bullet, one of the album’s most rhythmically dynamic tracks. On Breeze, Berlin-based art-jazz ensemble Conic Rose create a cinematic space for Modha to stretch into new sonic territory.

But beyond the featured artists, At Your Pace is the product of a collective process. Musicians like Shanice Ruby Bennett (bass), Käthe Johanning (keys/synths), Fabiano Lima (percussion), Konstantin Döben (horns), Moses Yoofee (keys), Francis Maheux (contrabass), Tim Sensbach (guitar), and others contributed to nearly every track — not simply as session players, but as co-creators who shaped the tone and direction of each piece. As the duo themselves put it:

“While the composition credits acknowledge whoever first sparked an idea, each track grew far beyond its origins. Through collaboration, experimentation, and shared intuition, every musician helped define the sound and spirit of this record.”

That spirit also runs through the instrumental bookends of the album: the opening title track Move At Your Own Pace, a rhythmically intricate statement of intent, and Day by Day, where tender piano meets subtle electronics and sprightly percussion.

Recorded between Berlin and Limburg, the album embraces themes of childhood memory, emotional fragility, and the radical act of slowing down. In rejecting the demands of hustle culture and major-label polish, Modha have found their creative home in Sonar Kollektiv — a label where collaboration, craft, and care are allowed to thrive.
 

Tracklist:
1. Move At Your Own Pace
2. Good News (feat. 
Allysha Joy)
3. River (feat. Abase & Fanni Zahar)
4. Bullet (feat. Wakai)
5. Day By Day (Interlude)
6. The Bee By The Pool (feat. 
James Chatburn)
7. Breeze (feat. Conic Rose)
8. Find Me (Underneath The Sun) (feat. Okcandice)

Momoko Gill - Momoko

Strut proudly presents the debut album from producer, songwriter and multiinstrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.

Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets. A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts.

With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study.

The album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice.

Momoko was produced by Momoko Gill, recorded at Total Refreshment Centre, mixed by Matthew Herbert and mastered by Alex Gordon at Abbey Road Studios.
 

Tracklist:
1. Satellite
2. No Others
3. Heavy
4. Rewind/Remind
5. Shadowboxing
6. Test A Small Area
7. 2close2farr
8. Anyway, I’m Drowning
9. When Palestine Is Free
10. River
11. Ineffably