Dee Byrne is an artist swimming freely in a sea of creative
possibilities. Her Entropi project established her reputation as a
fearless explorer of the interface between composition and
improvisation, structure and freedom, driven by a constant urge to
create. To reconnect with the roots of that urge, she took a deep dive
into her own process, using visual art as a medium to unlock fresh
approaches to composition.
The results can be heard on her latest Whirlwind release, and seen on
the cover art: Outlines is a set of nine pieces for a specially
assembled sextet of some of the UK’s most adventurous and genre-busting
musicians. Bassist Olie Brice, drummer Andrew Lisle and piano/keyboard
player Rebecca Nash are all bandleaders in their own right, capable of
navigating the complexities of Byrne’s complex multi-modal compositions
while allowing the spontaneity to flow freely: Tom Ward’s collection of
clarinets and Nick Malcolm’s trumpet complete the frontline with Dee’s
alto sax, spinning tales and painting pictures. “There are a lot of
strong, deep musical and personal relationships in this band - the sort
that can’t be fast-tracked. It’s a real band!”
Dee describes the writing process: ‘I decided to peel everything back to
the basics of being creative. I started drawing and set rules for
myself, retraining my mind to stop criticising - to follow impulse
without being attached to outcome! Then I applied the same approach to
writing music - they’re genuine musical sketches!’ Collecting together
the musical fragments, she assembled them into compositions that could
move easily from carefully structured written parts into free
improvisation and back again. ‘Capsule’ encapsulates this approach: like
a time pod of artefacts launched into space, with the horns’ unison
shifting and fragmenting over the insistent bassline - ‘I often start
with the bass! Olie Brice is so versatile and such a great musician. He
gives so much’. ‘Flow State’ is named for the ideal state of creation,
with bold full colour statements from Dee and Andrew Lisle ‘Andrew is
just putting out so much information all the time! He has a kind of
hyper-
interactivity!’
On both ‘Arrow Of Time’ and ‘On The Other Side’ the listener is drawn
along contrasting pathways of complex interlocking rhythms that suddenly
break apart to reveal unsuspected sonic landscapes, coloured by Tom
Ward’s rich-toned clarinets and the inspired keyboard work of Rebecca
Nash, with memorable statements from Olie Brice and Nick Malcolm that
steer the flow into new directions - ‘All the players in this project
are able really dig into playing tunes, but are also completely
confident in being free.’
‘Liberation’ establishes a lyrical, optimistic feel, gently pulsing into
a forward motion, while ‘Immersion’ deepens the flow state with almost
big-band like textures over contrasting sections to evoke a sense of
awe. By contrast, ‘We Are Experiencing Turbulence’ deliberately pushes
the ensemble into unpredictable zones of tempo and texture to deliver a
powerful air of foreboding, and ‘Don’t Mess With Me’ develops an
equivalent heaviness in an opposite direction with almost funky swagger
driven by Lisle’s powerhouse drumming. Finally ‘The Dance’ mixes five
different
lines played simultaneously, shifting in and out of sync across each other to create a kaleidoscope of sound.
Outlines is a bold and fully realised work that daringly reimagines the
interface between control and freedom, writing and improvisation. The
pieces develop naturally from written to free and back again, guided by a
group of players in perfect harmony with the music and with each other:
challenging and comforting the listener, and drawing them deep into Dee
Byrne’s complex and beautiful soundworld.
Tracklist:
1. Capsule
2. Flow State
3. Arrow of Time.
4. On the Other Side
5. Immersion
6. Liberation
7. We Are Experiencing Turbulence
8. Don't Mess with Me
9. The Dance