SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu,
saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist
Gregory Uhlmann.
Their debut album 'Small Medium Large' began as a collection of long
form improvisations recorded during two separate two-night stands at
beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major
development site for the burgeoning new West Coast jazz & improvised
music sound closed its doors permanently at the end of 2023.
The venue, perhaps best known outside of LA for Jeff Parker's 2022 album
'Mondays at the Enfield Tennis Academy', was the perfect location for
the start of SML, especially given that both bassist Anna Butterss and
saxophonist Josh Johnson are part of Parker's quartet that held down a
regular gig at ETA since the venue's early days (and hence thoroughly
documented, heard on Parker's album). 'Small Medium Large' was
engineered and recorded in stereo direct to Nagra by Bryce Gonzales and
compiled, arranged, and edited with additional production, recording,
and studio composition by SML across their various home studios.
While editing, chopping, and rearranging stereo mixed
improvisations is hardly a new idea (for a modern and relevant example
we can look to Makaya McCraven's output on IARC) these results are a
stunning expansion of the Teo Macero / Miles Davis editing concept
explored on classics like 'In a Silent Way', 'On The Corner', and 'Get
Up With It'. Stylistically though, these recordings have more in common
with the proto-trance repetitions of Harmonia, and with Holgar Czukay's
re-assembly technique used in his work with Can. Throw in a supremely
intuitive utilization of polyrhythmic floating patterns (a la Susumu
Yokota), and the result is a truly innovative take on time-clocked
electronic rhythms augmented with live instrumentation that never loses
that elusive human sway.
'Small Medium Large' is a sublime assemblage of circulatory grooves and
textural anomalies, at different moments recalling the synth-laced
improvisations of Herbie Hancock's Sextant, the jagged dance punk of
Essential Logic, the rhythmic revelry of Fela Kuti, the low-end
elasticity of Parliament/Funkadelic, or the glitchy dub techno of Pole.
Taken in totality, the album captures a euphoric creative synchronicity
between some of today's most exciting musicians.
Tracklist:
1. Rubber Tree Dance
2. Industry
3. Herbie for Commercials
4. Search Bar Hi Hat
5. Window Sill Song
6. Switchboard Operations
7. Soft Sand
8. Three Over Steel
9. Chasing Brain
10. History of Communication
11. Feed The Birds
12. Greg's Melody
13. Dolphin Language