A concept album in reverse, Next ties Kendra’s cast of characters (including her band: guitarist Supremo “Premo” Massiv, bassist Monti Miramonti, and drummer Chauncey Yearwood) to a vintage board game in the spirit of Milton Bradley’s finest retro dice-rolling moments. Travel along Next’s block-to-block journey, and this universe reveals itself as a mosaic of corals, creams, and pale lilac tiles. You can hear the sonic palette resonate with Morris’s influences and inspirations. Decades of New York sounds and voices bend and blend at the seams of these tracks—a world where the Brill Building and Warhol’s Factory thrive on the same block while Blondie and the Frightnrs explore rocksteady sounds. Doo-wop and boom-bap soundtrack a UHF network’s worth of cut-and-paste stylings, all the while paced by Morris, an artist equally at home behind the lens as she is in front of a microphone.
Next is an album of firsts. The album’s extended gestation provided Morris with an opportunity to explore her ideas and demos. “I’ve been living in this record for over a year,” says Morris. “I’ve always been a writer, and [Next] was a chance to write a record from scratch on my own.” The New York (by way of Loveland, Ohio) production is co-helmed by Kendra Morris and Leroi Conroy. Its production trades the steel and chrome sleekness for a more personal and scaled-down sound, exposing the songcraft. While earlier albums were awash in IMAX-level cinematic sweep, Next explores Kendra’s perspective with a handheld 8mm kinetic energy, all the while showcasing the dynamic, soulful range of her powerhouse voice — equal parts Roberta Flack, Betty Wright, and Minnie Riperton.
With recording done at Portage Studios in Loveland and additional vocals recorded at Kendra’s Brooklyn apartment, the symmetry is as poignant as it is reflected in the home cooking vibe throughout. “I wrote and recorded my demos right here at this desk with my guitar, drum loops, and my Casio keyboard,” Morris reflects. “To then have Leroi come here, stay a few doors down, and record the vocals felt right and right now…and I’m also playing guitar [on Next] which I’m excited about, too.” Much like the best board games, you may end your journey where you began it, but the path you take along the way is where moments are made.
“If I Called You” evolved from a slow take featuring just Kendra and guitar, but at Portage, the demo was transformed into a track that could easily find its way onto Prince’s self-titled record. Parlor Greens guitarist Jimmy James adds a guitar solo that channels some Paisley Park magic.
Additional guests on the album include Ray Jacildo of Jr. Thomas and the Volcanos, lending his organ and piano to lo-fi reggae banger “Flat Tire.” It’s a track that traces the throughline from Kingstown to Bushwick and back again all with Morris’ signature AM radio-ready vocals.
That live band energy reverberates on tracks like “Bill.” A staple of recent tours, the song’s eponymous character is a playful personification. “I love it when other people realize, ‘Oh, I have that same Bill that shows up at my door,’” laughs Morris.
“Dear Buddy,” an open letter to Morris’ daughter, serves as Next’s emotional core. Not since the moving tribute to her brother (the 2017 single “Ride On”) has Kendra’s poetry and heart resonated with a tenderness and spiderweb fragile strength.
Kendra Morris and Karma Chief Records invite you to play along with Next, a sonic journey where the roll of the dice means excitement and adventure. Explore the world, tile by tile, meet new friends like Jerry & Roger, help the gang with a “Flat Tire,” or read a letter to “Dear Buddy.” Maybe you can avoid crossing paths with “Bill.” It’s Next, complete with 10 tracks and hours of fun for the whole family. Some assembly required. Turntable, CD player, or streaming service sold separately.
Tracklist:
1. In My House
2. Dear Buddy
3. After Midnight
4. If I Called You
5. Back With Me
6. Flat Tire
7. Bill
8. Don't Wanna Be Happy
9. Go Nowhere
10. Something In Common
