Future Bubblers - Future Bubblers 8.0

Brownswood Recordings announces “Future Bubblers 8.0”, the eighth edition of their annual compilation, released 15th November.

A part of Gilles Peterson’s expanded network, Future Bubblers is backed by Arts Council England, which continues to focus on uncovering unsigned talent and growing the audience for innovative, experimental music. The professional recordings, manufacturing and physical release of “Future Bubblers 8.0” is made possible with additional support from PRS Foundation, as Talent Development Partners. Unlike other music initiatives, this compilation acts as a launchpad for emerging artists, utilizing a cooperative model that shares revenue directly with the artist, helping them generate a sustainable income. Previous Future Bubblers artists include Yazmin Lacey KinKai, Lynda Dawn, MC Snowy, Forest Law, Victoria Jane, NeOne The Wonderer and Kayla Painter, , and more.

Across six tracks, "Future Bubblers 8.0" eclectically fuses the worlds of R&B, soul, funk, rap, and electronic music in their many forms. The lead single, "Damn," comes from Leicester-based psychedelic Space-Soul band Shadeemus, released 15th October. Bristolian vocalist and producer t l k creates ethereal soundscapes on her track “Legs” , while O.K Asanda, who made Manchester his home, has crafted a unique Alt R&B and soul sound. Songstress JOIISOL blends R&B, Neo-Soul, and Electronic-Jazz with vintage samples.

Tracklist:
1. Good Intentions - Joiisol
2. Damn - Shadeemus
3. Easy Loving - O.K Asanda
4. Legs - T L K
5. Like Glue - Shadeemus, Joiisol, O.K Asanda, Clodagh
6. Primrose Hill - Joiisol, Shadeemus, O.K Asanda

Greg Foat - The Rituals of Infinity

London-based keyboardist and composer Greg Foat is back with his new album, 'The Rituals of Infinity'. Greg's first memory with the piano goes all the way back to his Aunt's house at aged 3 - where he fell off the piano stool. Since then, his relationship with the piano has evolved into a fulfilling, and successful career. He began taking an interest in composing at the age of 11, and truly ignited his love for Jazz after attending a workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon at the age of 15. He then studied jazz at Middlesex University, followed by 6 months in Sweden on an Erasmus grant which lead to his first professional studio session there at 21. Greg has worked as a professional musician ever since, and has moulded a wonderfully multifaceted career within the Jazz music genre. Greg is planning a debut performance of 'The Rituals of Infinity' at Worthy Earth Festival in late September, in Hampshire.

'The Rituals of Infinity' album is inspired by many things. Some titles are named after iconic science fiction books such as The Rituals Of Infinity, A Private Cosmos, The Dark Labyrinth and The World of the Red Sun. Minerva's Owl, on the other hand, is about the Ancient Greek Legend. "The owl of Minerva takes flight only at dusk." so wrote G. W. F. Hegel, the nineteenth century's major philosopher of history. By that, he meant that any given phase of history can be understood only in retrospect — after it's over. A beautifully fitting closing of the album. The album features the legendary Art Themen on Soprano and Tenor Saxophones, and Trevor Walker on Trumpet and Flugel Horn in a fine supportive role harmonising with Katherine Farnden on Cor Anglais. Natcyet Wakili has such a fluid approach to the drums which really makes the album special, alongside Jasper Osbourne on Bass Guitar. Shawn Lee also stopped by the studio with his horror movie classic waterphone - adding some eery atmospheric finishing touches to the album. 

Tracklist:
1. The Ticking Clock
2. A Private Cosmos
3. Sun Hat
4. The World of the Red Sun
5. The Rituals of Infinity
6. The Dark Labyrinth
7. Minerva's Owl

Mulatu Astatke - Tension

Ethio-jazz pioneer Mulatu Astatke joins the Hoodna Orchestra, Tel Aviv’s number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across seven original compositions that play tribute to the classic Mulatu sound while forging fresh paths. Produced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting.

Mulatu Astatke requires little introduction at this point. Born in Jimma, Ethiopia, Mulatu went on to live and study in London, Boston and New York. Initially drawn to and trained in jazz and Latin music, he developed the sound he called “Ethio-jazz” over a series of seminal albums combining jazz, Latin, funk and soul, with traditional Ethiopian scales and rhythms.

Long a cornerstone of the Ethiopian recording industry, his albums and even guest appearances were long sought after by record collectors and music enthusiasts around the globe. However the release of an acclaimed ‘Éthiopiques’ compilation dedicated to his instrumental recordings in 1998, followed by the 2005 release of Jim Jarmush’s acclaimed ‘Broken Flowers’ film, which heavily featured Astatke’s irresistible music, introduced him to a much wider international audience. Mulatu would go on to be sampled by the likes of Nas, Kanye West, Cut Chemist and Madlib, whilst touring to large audiences across the globe, and collaborating with London-based psych jazz collective, the Heliocentrics.

Formed in 2012 on the south side of Tel Aviv, the 12 member Hoodna Orchestra is a collective of musicians and composers who initially bonded over a shared love of Afrobeat. They have gone on to incorporate psychedelic rock, hard funk and soul, jazz, and East African music into their sought after releases, winning praise and airplay from the likes of Iggy Pop and Huey Morgan on BBC Radio 6 Music. The collective draws together a huge array of musical talents such as guitarist Ilan Smilan and organist Eitan Drabkin of Sababa 5 fame, Shalosh trio drummer Matan Assayag, and percussionist Rani Birenbaum of The Faithful Brothers, many of whom also contribute compositions to the orchestra, ensuring its collaborative environment.

Over time, members of the orchestra came to find they shared a growing interest in Ethiopian music, particularly the Ethio-jazz of Mulatu Astatke. Since releasing a recording with Ethiopian singer Tesfaye Negatu, Hoodna Orchestra had been looking to find ways to collaborate with Astatke himself and in early 2023 the opportunity arose to invite Astatke to Tel Aviv, record an album and perform it live for their home audience. Stars aligned as Neal Sugarman, multi-instrumentalist member of the Dap-Kings and co-founder of Daptone Records, joined and produced the session with Smilan.

The album commences with title track “Tension”, leading Mulatu’s signature sound in a new, rhythmically intense direction, hence the name, providing fresh creative ground for the collaborators. Astatke’s vibraphone sets the scene, before drummer Matan Assayag attacks the beat and Nadav Bracha’s marching bassline and Rani’s percussion propel the track forward, and Hoodna’s brass section delivers a classic Ethio motif. Mulatu’s enchanting vibraphone solo is followed by a blistering tenor sax solo by Eylon Tushiner. This is Ethio-jazz on turbochargers.

Recorded towards the end of their session, “Major” provides a whole new dimension, joyously and effortlessly swinging out of the speakers after “Tension”. You can sense how comfortable the band feels together at this point. The track features a superb organ solo by Drabkin. The Smilan composed “Hatula” embodies the sound of a cat prowling outside on a hot summer’s night with poise and finesse, before building into a great crescendo that belies the feline creature’s unpredictable behavior and wilder instincts. “Yashan” on the other hand is classic smoke-filled- lounge Ethio-jazz with an undercurrent of tension you can cut with a knife, with the Elad Gellert baritone sax solo lulling you into a false sense of security.

The Latin-jazz tinged grooves of “Delilah” play homage to the early roots of Mulatu’s sound. Leading the song’s key motif, Tushiner’s seductive flute is well balanced by Smilan’s guitar, proceeding beautifully into an enchanting solo by Astatke himself. Tushiner takes an extended turn himself, soloing like Hungarian guitar legend Gábor Szabó, if only he’d moved to Cairo instead of San Francisco. Joined by Sugarman on saxophones, the brass section plays a subtle but important role on his occasion, gently accompanying in the background.

The album closes fittingly with “Dung Gate”. A Birenbaum composition, the track features slow, heavy, melodic motif led by the brass section, counterbalanced by a tidal wave of percussion and hand-clapping. One can imagine the band slowly marching out of the venue through the crowd at the end of their show, the audience clapping in time with the orchestra’s brass and percussion, recalling another legend, the late great Sun Ra.

On one hand, ‘Tension’ is clearly a deeply personal tribute by the Hoodna Orchestra to iconic Mulatu Astatke, but at the same time the recordings emit a remarkable amount of chemistry, and together they have created an essential addition to Mulatu’s rich discography that charts new directions in his Ethio-jazz trajectory and provides the Hoodna Orchestra with their strongest album to date. 

Tracklist:
1. Tension
2. Major
3. Hatula
4. Yashan
5. Delilah
6. Dung Gate

Adrian Younge - Adrian Younge Presents Linear Labs: São Paulo

Linear Labs: São Paulo sparks a new golden era of musical genius defined by the maestro Adrian Younge, encapsulating what he’s learned in building the first era of Linear Labs and its successor label Jazz Is Dead.

Linear Labs: São Paulo marks the evolution of this journey.

Step into an extraordinary psychedelic and soulful experience with Adrian Younge presents Linear Labs: Sao Paulo: a compilation of new songs showcasing the musical brilliance of Adrian Younge with artists from around the world. Essentially, the album features one unreleased song from an array of forthcoming albums Younge has produced for Linear Labs, including Something About April III, the tertiary installment of Younge's masterwork trilogy, and a new blaxploitation adventure from hip hop legend Snoop Dogg, entitled Don’t Cry For the Devil.

Also included on this preview is Brazilian actress/ singer Samantha Schmütz, Middle-Eastern singer Liraz, London-based jazz vocalist ALA.NI, afro-futuristic soul singer Bilal and a bonus song with Stereolab’s Lætitia Sadier.

“For the last 30 years, I’ve studied rare and obscure records in an attempt to become the most unique producer in the world. A world where I create music with no expiration date…a vortex where the composers of yesterday and today sonically meet to discuss the way that hip hop has informed modern ears…essentially, my music is for the heads. This is São Paulo!” ⁃ Adrian Younge

It’s a new era for Adrian Younge’s recording outfit, Linear Labs. Since the start of 2020, Adrian Younge has been at the helm of production of 30 albums for his Jazz Is Dead label alongside his partner Ali Shaheed Muhammad. These albums include collaborations with iconic artists such as Roy Ayers, Ebo Taylor, Marcos Valle, Gary Bartz, Doug and Jean Carn, Dom Salvador, Carlos Dafé and countless others, helping reshape and refocus their careers. For the last 12 months, Younge has refocused his energies into his own music and the outcome has been what he describes as "the pinnacle of his career.” In these new offerings, he takes everything he has learned in his illustrious career and reaches new heights to be heard on Linear Labs: São Paulo.

The first single to be released is “Esperando por Você,” a dark and psychedelic glimpse into the world of Something About April III, the third installment to Younge’s fabled and most sampled works. Fans of Younge will immediately recognize his signature Something About April sound, but with a twist: the entire album is in Portuguese!

“Rules of the Game” offers the first glimpse into Snoop Dogg and Adrian Younge’s blaxploitation adventure, Don’t Cry for the Devil. The album features Snoop Dogg’s embodiment of the fictional ‘70s pimp, Silky Slim, rappin’ about life in the game. Younge’s production echoes the tone of Snoop’s debut album, Doggystyle, as if it was produced by Isaac Hayes, Curtis Mayfield and Johnny Pate circa ‘76.

“Fire in the Disco” is a standout track from Younge’s upbeat and dance heavy Afrobeat project, Afrodisco Makossa. The six-track album is the follow-up to Younge’s collaborations with Afrobeat pioneers Tony Allen and Ebo Taylor, released on the Jazz Is Dead label. Featuring an ensemble of Ghanian and Black American vocalists, this song embodies the rich heritage of African music with a vibrant mix of Afrobeat-inspired disco tracks.

Hear Younge’s foray into the world of middle eastern psych and funk on “Farrar Konam,” a song created with Middle-Eastern singer, Liraz. Renowned for her outspoken activism through music, Liraz champions women's freedom worldwide. Sung in her family’s native Farsi language, her powerful message resonates universally. Her forthcoming album with Younge is entitled, Azadi, which means “Freedom.”

“Nossa Cor” is a classic love samba composed by Younge and Brazilian actress/singer Samantha Schumütz. This song is a preview into their majestic album, Samantha e Adrian. The partnership between Schmutz and Younge is heavily inspired by the revolutionary Brazilian music created during the MPB and tropicalia era of the ‘60s and ‘70s. While many know Schmütz for as an actress and comedian, few are aware of her singing prowess.

The song “Human Absence” comes from YOUNGE, the eponymously named instrumental album, a first of its kind. Created with a live 30-piece orchestra, the fuzz guitars, cinematic arrangements and funky percussion showcase Younge’s mastery as a conductor from a bygone era.

On Proud, Adrian Younge showcases the Parisian jazz singer ALA.NI. With her unique blend of vocal harmonies and unparalleled emotion, ALA.NI establishes herself as one of the most distinctive and enchanting Black voices emanating from Paris.

In 2015, Bilal and Adrian Younge released In Another Life, an album crafted by Younge to highlight the soul singer’s impressive vocal range and distinctive style, featuring guest appearances by Kendrick Lamar, Big K.R.I.T. and more. In Another Life: Redux is a re-release of the acclaimed album, remastered with three unreleased songs as it was always intended by Younge to be released.
Note to editors:

Adrian Younge is an Emmy Award winning composer, multi-instrumentalist, and producer from Los Angeles, CA. Renowned for his analog sound, Younge has been sampled by artists like Jay-Z, Kendrick Lamar, Common, DJ Premier and counteless others. He’s also produced for icons including Roy Ayers, Cee Lo, Rakim, Tony Allen, Ebo Taylor, Marcos Valle, Céu, Dom Salvador, Azymuth, Wu Tang Clan and many more. He’s also known for his work as a film and television composer (Marvel’s Luke Cage, Black Dynamite, etc.) Younge is the owner and brainchild of the record label Linear Labs; he also is the co-owner of the record label and events company Jazz Is Dead.

Tracklist:
1. Esperando por Voce
2. Rules of the Game
3. Fire in the Disco
4. کنم - Farrar Konam
5. Nossa Cor
6. Human Absence
7. Run
8. Spiraling
9. Purification

Major Lazer - Guns Don't Kill People... Lazers Do (15th Anniversary Edition)

Major Lazer celebrates 15 years of their dub-dancehall meets festival mainstage fanfare debut Guns Don’t Kill People… Lazers Do with a new anniversary reissue. Pairing then-rising star Diplo’s production and his Lazer partner Switch’s deft hand for alternative pop gold with a slew of Jamaican heavies and fresher faces alike, the album quickly became a centrepiece for a dance music subset straddling the line between the aggro dynamics of the era’s dubstep and the headier roots of the sound in touchstones like Kingston’s soundsystem culture. At a time when big room dance music was starting to border on the nihilistic, Guns Don’t Kill People… Lazers Do’s blend of lush psychedelia, head rush rhythms, and interconnectivity offered a welcomed respite.

Tracklist:
1. Hold The Line
2. When You Hear The Bassline
3. Can't Stop Now
4. Lazer Theme
5. Anything Goes
6. Cash Flow
7. Mary Jane
8. Bruk Out
9. What U Like
10. Keep It Goin' Louder
11. Pon De Floor
12. Baby
13. Jump Up
14. Zumbie
15. Pon De Streets
16. Where’s The Daddy?
17. Nobody Move

wun two - forest folks

Tracklist:
1. Lactarius
2. Tricholoma
3. Pfifferling
4. Ustilago
5. Tintling
6. Lepiota
7. Calocybe
8. Samthaube
9. Portobello
10. Tramete
11. Scioides
12. Armillaria
13. Parasol
14. Badhamia
15. Truffe
16. Hallimasch

Thee Marloes - Perak Instrumentals

Big Crown Records is proud to present the instrumental version of Perak, the debut album from Thee Marloes.

When you first hear Thee Marloes, their particular soul sound may seem familiar enough. There are the weighty drums, a crooning guitar, and a beautiful voice singing about unrequited love and the complications inherent in affairs of the heart. But then there is something undeniably different about Thee Marloes and their music, something new and distinct. And while you may be acquainted with soul music, you've probably never heard it from Surabaya, Indonesia—the place they call home.

Thee Marloes are Natassya Sianturi singing and playing keys, Tommy Satwick on drums, and Sinatrya ("Raka") Dharaka on guitar and handling production. Their sound has the universal appeal of soul, jazz, and pop, but with a distinct approach attributable to their local culture and global influence. The world's introduction to Thee Marloes' debut album Perak, started with “Midnight Hotline” the scorching A side to their debut 7” on Big Crown. A punchy dancefloor number with an infectious chorus, vibey piano, and jazzy guitar licks. Contrasting that energy in the classic plug and ballad pairing dynamic, the B side “Beri Cinta Waktu” has all the makings of a beloved soul ballad but the lyrics are in Indonesian. Regardless of any language barrier, the sentiment in their music is palpable, helping to make their songs relatable and heartfelt. The rest of Perak fits perfectly in between those bookends of both energy and language, “I Know” is a mid-tempo burner that talks about pulling the veil of lies off a love affair founded on falsehood. “Not Today” is right up there with the grooviest feel good songs you could ever play on a Sunday morning with Natassya reminding us to make space for ourselves no matter what life throws our way. “Mungkin Saja” brings the tempo back up with another dance floor smoker while “True Love” finds Thee Marloes dipping into the soulful side of jazz with a beat ballad that could soundtrack a Tarantino dance scene. “Over” starts out with a heavy drum break and evolves into an epic arrangement drenched in layers of gorgeous melodies capturing the havoc of a love affair that ends abruptly perfectly.

Perak is a journey from the heart of Surabaya into the spirit of the soul sound. It's about creating a space where none existed, and doing it because you love it. You can tell that Thee Marloes enjoy making their music, from the process of writing and recording, to performing in front of crowds. "We want to share what we live," Natassya tells us. No matter what language you speak or culture you come from, Thee Marloes music and energy is so charming that we will all be keeping it close to the turntable for years to come. 

Tracklist:
1 I Know (Instrumental)
2 Logika (Instrumental)
3 Summer (Instrumental)
4 Midnight Hotline (Instrumental)
5 Beri Cinta Waktu (Instrumental)
6 True Love (Instrumental)
7 Mungkin Saja (Instrumental)
8 Not Today (Instrumental)
9 Over (Instrumental)
10 No One Else (Instrumental)
11 Nona (Instrumental)
12 Thank You (Instrumental)

MF Doom - MM..FOOD (20th Anniversary Edition)

In celebration of the album’s 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

Originally released in 2004, MF DOOM's MM..FOOD is hailed as a classic hip-hop album full of inventive production, remarkable wordplay, and unique themes. Celebrated for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world of food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album’s subjects.

Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener “Beef Rapp” is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. “Hoe Cakes” borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced “One Beer” to fold layers of depth about escapism and ego, while the popular “Rapp Snitch Knishes” critiques the self-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM’s ability to blend serious themes with his unique, playful lyrical style.

The digital version of the 20th Anniversary Edition features 11 bonus tracks including 3 remixes, 1 alternate edit, and 7 rare and insightful clips of MF DOOM being interviewed by Kevin Beacham, just days before the original album release in 2004. 

CD1:
1. Beef Rapp
2. Hoe Cakes
3. Potholderz
4. One Beer
5. Deep Fried Frenz
6. Poo-Putt Platter
7. Fillet-O-Rapper
8. Gumbo
9. Fig Leaf Bi-Carbonate
10. Kon Karne
11. Guinnessez
12. Kon Queso
13. Rapp Snitch Knishes
14. Vomitspit
15. Kookies

CD2:
1. One Beer (Madlib Remix)
2. Hoe Cakes (Ant Remix)
3. Hoe Cakes (Jake One Remix)
4. Hoe Cakes (Beatboxapella)

CD3:
1. The Evolution From Zev Love X to MF DOOM
2. Being Embraced by a Diverse Fanbase
3. Conquering Writer's Block
4. Doing Production vs. Working with Producers
5. The Making of MM..FOOD
6. MM..FOOD Favorites
7. The Future with Metalface Records, Gas Drawls & Rhymesayers

Mal Waldron and Terumasa Hino - Reminicent Suite

As the As the BBE Music J Jazz Masterclass Series hits its 19th title, the milestone is suitably matched by a collaboration between two giants of jazz brought together to deliver an exceptional album, working with a band of the very best Japanese jazz musicians.

‘Reminicent Suite’ by American pianist Mal Waldron and Japanese trumpeter Terumasa Hino was originally released in 1973 on the famed Victor label and was one of several Japan-only albums recorded and released by Waldron over a thirty-year period, most of which have never been available outside Japan. ‘Reminicent Suite’ comprises two extended tracks, both taking up a side each. The title track on Side A is composed by Waldron, and is a dark, brooding heavy groove typical of his early 70s sound. ‘Black Forest’ on side B is written by Hino and is a vivid and energetic piece, layered and textured with dense percussion and Hino’s signature trumpet tone.

Mal Waldron started out in the early 1950s working extensively on the Prestige label with notable figures such as Gene Ammons, Jackie McLean and Charles Mingus. Most famously, he worked with Billie Holiday before leaving the States in the mid-60s and relocating to Europe where he established himself as a major figure working across many countries including France, Italy, and Germany, where he made his home in Munich. In 1969, Waldron recorded the first releases for two major European jazz labels, ECM and Enja, before visiting Japan on tour for the first time in 1970. Waldron instantly fell in love with Japan and, over the next three decades, extensively toured and recorded there for numerous labels.

Terumasa Hino is one of the towering figures of post-war modern jazz in Japan. Coming to prominence via the Hideto Shiraki and Sadao Watanabe bands in the mid-60s, Hino soon emerged as one of the prime movers in new jazz generation that changed the direction of jazz in Japan. He explored a more open, freer, and improvised sound, mixing psychedelic and rock elements with freeform and post-bop jazz. Hino recorded for many of the leading jazz labels of the era including Columbia, Three Blind Mice, and East Wind and would go on to relocate to the US in the mid-70s, immersing himself with the leading fusion players of the New York scene including Larry Corryell, Mtume, Al Foster, Dave Liebman and many more. In the early 80s, Hino’s jazz funk tracks were dancefloor smashes on the UK jazz dance scene.

Joining Waldron and Hino on ‘Reminicient Suite’ is a band made up of the very best Japanese jazzman of their day: Takeo Uematsu on sax, Terumasa’s brother, Motohiko Hino, on drums, and the legendary bass master, Isao Suzuki. Together, they deliver one of the very best albums of the era, a richly articulated and dynamic session that exemplifies the very best that the Japanese jazz scene was doing in the early 1970s.

‘Reminicent Suite’ is pressed on 200g vinyl presented in a gatefold sleeve plus obi strip, with new photos by Tadayuki Naito; translated original sleeve notes; and a 7500-word essay including interview with Terumasa Hino from Tony Higgins, co-curator of the J Jazz Masterclass Series. This is the first time this album has been available outside of Japan.

The BBE J Jazz Masterclass Series is personally curated by Tony Higgins and Mike Peden and is dedicated to presenting the very finest in Japanese modern jazz. The series features rare material presented in the highest quality reproductions of the original releases, fully licensed and authorised. 

Tracklist:
1. Reminicent Suite: Dig It Deep Down Baby〜Echoes〜Once More With Feeling
2. Black Forest