‘To Illustrate’: a new collaborative album co-produced by a group of
artists from the extended Wisdom Teeth family, spotlighting a scattered
scene of producers making forward thinking electronic music of various
hues around the 100 bpm mark.
It’s been impossible to miss the unparalleled levels of creativity
taking place at lower tempos in recent years. Whether it’s the
reggaeton-inspired club music coming out of the Americas, the resurgence
of downtempo and trip-hop influences in ambient and electronica, or the
chuggy UK bass variants coming out of cities like Bristol, London and
Manchester, there has been an unprecedented creative buzz around these
slower BPMs.
‘To Illustrate’ attempts to capture just a small slice of the action
taking place here, and looks to an international pool of producers and
interrelated sounds to do so. Nick León represents the booming Miami
scene, where Latin American sounds are being reimagined and reframed to
create something kindred with UK bass music. Salamanda and abentis -
from South Korea and Japan respectively - contribute low-slung, tripped
out takes on ambient and downtempo, finding close sonic counterparts in
UK producers Iglew and Glances. Elements of hip-hop and RnB creep
through in label-heads Facta &
K-LONE’s ‘Kiss Me, Can’t Sleep’, while UK artists Henzo, Clemency,
Yushh and Hussko pull things closer to the slow/fast stepping rhythms of
dubstep and drum and bass. Taken together, we find a cross-pollinating global scene of producers making genuinely forward-thinking and no-name electronic music - interconnected, but only just.
Tracklist:
1. Glances - Sun Dapple
2. Facta & K-LONE - Kiss Me, Can't Sleep
3. Abentis - Bicycle
4. Hussko - Two Nights In Peter's Bog
5. Iglew - Rockpool Pool Party
6. Salamanda - Kríni Tis Nymfis
7. Nick Leon - Separation Anxiety
8. Henzo - Whirlpool Vanish
9. Clemency - Girl Food
10. Yushh & Facta - Fairy Liquor