Producer Lee Clarke draws on themes of memory, degradation and the evolution of sound and bloodlines with his beat tape Genes.
The initial ambition was deceptively simple: compile and release a set
of beats from the last few years. But the project morphed into a
transtemporal collage layered with samples from unfinished work with
collaborators like Ivy Sole and Kingsley Ibeneche and decades old
cassette recordings of Clarke’s family members.
In the early stages of compilation, Clarke encountered the Morphagene—a
sampler described by the manufacturer as “a next generation tape and
micro sound module that uses reels, splices and genes to create new
sounds from those that already exist.”
Reflecting on repetition, degradation and the process that is sampling
and resampling, which in some ways parallels the way genetic information
is passed down, Clarke used samples from old family recordings of his
grandmother Ahvagene—a NYU-trained pianist with perfect pitch and his
biggest musical influence—and her sisters playing, singing, and talking
about their childhood.
Over the course of twenty-two tracks Clarke explores not only how sound
degrades with time and processing but also how memory is itself ever
evolving as the one who remembers recalls it.
In a nod to the nonlinear nature of grieving and even of time, Clarke
discovered that his interest in iterative music processes and
reimagining sounds from the past created openings for previously
un-accessed dimensions of grief surrounding the death of his grandmother
whose end-of-life Alzheimer’s disease took much of her memory but
spared the muscular memory of being able to play jazz standards.
Tracklist:
1. Dwight Likes Jazz
2. Booties
3. It'll Be Burning
4. Seasonal
5. I'm You
6. One More
7. Ball4
8. Doing Too Much
9. I Was Solid
10. We Were Water
11. Decide
12. Morphing Gene
13. Sleepy
14. Can't Sleep
15. Ball1
16. Two Chords
17. Wisdom
18. Hold Space
19. Rainyday
20. Rainbow
21. This Life In Space
22. Bittersweet