Palm Skin Productions – AKA versatile musician and producer Simon
Richmond (whose CV includes Mo’ Wax, Depeche Mode, REM, Pulp, Neneh
Cherry, and The Bays) – announces a new album ‘A Swarm In July’ a
proverbial inspired record.
‘A Swarm In July' is a concept record that offers an alternative set of
hacked proverbs to mirror the movement of the music and its path from
ambience to rhythm, from harmony to noise, from its closed-in intimacies
to its soaring expansions. The album looks at what happens when you
choose to shift the crop - when you find the story within the story. As
Simon eloquently puts it:
“A proverb. A phrase. A saying. A Say-ing - the performance of that
which has been said. A maxim. A truism. True-ism - the ideology or the
myth of truth? Whose truth? Who puts you in the picture? What is the
crop, the edit? When can you trust a truism in the world of deep fake?
If every story is dependent on its beginning and end, how many stories
are there, dormant, within the prescribed boundaries? Pre-Scribed -
already written - typeset for us.”
‘A Swarm In July’ is a masterclass on how to frame and evolve stories
and sound, created and recorded far and wide, while static and on the
move. The title itself is taken from the proverbial bee-keepers
saying, “A swarm in July is not worth a fly”, meaning that the later in
the year it is, the less time there will be for bees to collect pollen
from the flowers in blossom. Simon instead recontextualises this within
the framework of the politically manufactured UK migrant crisis,
dissecting the language used to dehumanise refugees: “When does a group
become a swarm? When is a swarm valuable, and to whom? A swarm of bees
to the beekeeper? A swarm of people to the forces of repression and
hate?”
Lead-single ‘Them That Help’, an orchestral, almost neo-classical,
texturised soundscape featuring the transcendent viola of John Metcalfe
(Duke Quartet/The Durutti Column), is taken from the false proverb “the
Lord helps them that help themselves”, a phrase that originated in
ancient Greece as “the Gods help those who help themselves” but has
since been weaponised to accelerate neo-liberal agendas. Palm Skin
Productions subverts the fictitious biblical reference, turning heresy
into class critique:
“Take a set of scales. At one end put the gold-plated pomp of high
religion. The acquisition of wealth and people. The colonising forces
that helped themselves to vast swathes of the world. At the other end of
the scale are the carers, the helpers, the friends. The people. The
heavyweights.”
Elsewhere on the record, ‘Need Is A Friend’, partially recorded on
headphones in Ralph Lawson’s (20/20 Vision label boss) front room in
Leeds, hanging out before a gig, is a play on “A friend in need is a
friend indeed.” Simon adds: “How often do we tell a story of obligation
to make us feel better? Are these needs, or are they choices? Are these
needs the friends we rely on as our alibis? With friends like needs, who
needs enemies?”. For ‘We Stand, Divided’, a take on “Together we stand,
divided we fall”, Simon contextualises again through the prism of the
toxic UK immigration debate, fuelled by the fires of the Brexit
referendum: “So many are taught to fear difference, to harden community
into a dividing wall, but our strength is in our beautiful variation.
Puppets stand in homogenous herds, moulded to a single malleable unit.
We stand in celebratory disarray.”
‘I Say Not As I’ harnesses the language of the great British playwright
Harold Pinter, a personal hero to Simon: “He can make the most mundane
phrase bristle with menace. Ordinary objects and actions become sinister
in his hands, just as the forces of oppression and torture get
portrayed within the familiarity of cliché and monotony.” Album closer
‘Far From The Tree’ is in memory of Simon’s father who passed away while
he was making this record: “It was important for me to finish the
record with a piece of music for him that also has something of him in
it. I’m so glad the finished piece - ‘Far From The Tree’ - is something
that I think adequately fills the space I had in my mind but also makes
sense in terms of the rest of the record.”
Tracklist:
1. We Stand, Divided
2. Himself and The Devil
3. The Sword Will Die
4. Them That Help
5. I Say, Not As I
6. My Bones, But Words
7. Need Is A Friend
8. Far From The Tree