Friday, June 21, 2024

JJ Whitefield - The Infinity of Nothingness

Having plied his trade around the world for more than three decades, German guitarist, bandleader and musical explorer JJ Whitefield has always instilled in his craft a natural aesthetic of authenticity, a key component which has seen him amass a sizeable and varied catalogue of material which has remained timeless where some of his contemporaries have faded away.

In the early 90s, as various UK bands were signed up by sizeable labels and enjoyed even mainstream chart success in the Acid Jazz and rare groove boom, Whitefield was a founding member of the Poets Of Rhythm, self-releasing their own uncompromisingly hard-edged take on 70s street funk on the then completely unfashionable 7” single format, forerunning the Deep Funk scene by almost a decade. 30 years on, in spite of a legion of retro-focused bands having followed in their wake, few have yet to come close to matching the energy and spirit of those early Poets 45s.

Since then, Whitefield has applied himself to all manner of new incarnations and innovative side-projects, releasing further funk surveys with his own band under the pseudonym Karl Hector, with releases on labels such as Stones Throw, Daptone, Ninja Tune, Mo’Wax, Strut and more. An avid music lover, explorer and record collector extraordinaire, Whitefield’s music has effortlessly absorbed his expanding interests along the way, particularly drawing influence from Ethiopian Jazz and West African funk and highlife, as well as Kraut-rock and ambient via his Rodinia alter-ego.

More recently, Whitefield has begun to venture into the astral planes of what’s now commonly referred to as ‘spiritual jazz’, and this is very much where we find him manifesting on ‘The Infinity Of Nothingness’. A set of mature, delicate and meditative orchestrations, like much of Whitefield’s best work the album is studiously true to its key influences - and in this instance the twin figureheads of Sun Ra and Pharoah Sanders are particularly preeminent - but also completely avoids falling into a trap of mere tribute or facsimile. With subtle yet diverse accents of Hip Hop, Library and the Avant Garde appearing wholly unobtrusively, the album is unified by a marked trance-like feel, beginning with the sparse, processional opener ‘Nothingness’ through to the 3 part ‘Infinity Suite’ of ‘Time’, ‘Space’ and ‘Energy’.

As he did as a schoolboy with the Poets of Rhythm, with ‘The Infinity Of Nothingness’ Whitefield achieves that exceptionally rare feat of creating music that is not only worthy of sitting alongside that of his overarching influences, but will also stand up with it against the tests of time.

Tracklist:
1. Nothingness
2. Solar Breeze from the East
3. Spectral Realms
4. Infinity Suite, Pt. 1: Time
5. Infinity Suite, Pt. 2: Space
6. Infinity Suite, Pt. 3: Energy

VA - Spiritual Jazz 16: Riverside etc

Since 2008 our Spiritual Jazz series has presented unlimited horizons. Each album celebrates the rich tradition of African-American songs based on the belief in a higher force than oneself and has also focused on geographical areas, such as Europe or Japan, thus recognizing that these territories have immense cultural riches. Religions, like Islam, whose musical traditions have vivid Arabic and North African resonances, have also been highlighted. The stylistic range of all the above is wide.

Yet historic record labels, from Blue Note and Impulse! to Prestige and Steeplechase, have also featured because their catalogues are musical treasure troves that could not be more relevant to Spiritual Jazz, even though they issued vast amounts of music between the late ‘30s and present day, that have not been confined to any one school.

Spiritual Jazz 16 is a focus on Riverside and its associated sister labels. Riverside itself was founded in 1953 by Orrin Keepnews and Bill Grauer, and became an important purveyor in that decade and beyond of what would be marketed as of modern jazz. That coinage was itself an amorphous, umbrella term that essentially created a demarcation from the vocabulary of pre-war classic jazz and inter-war big band swing, thus recognizing that improvising artists were breaking new creative ground that would subsequently give rise to a flurry of sub-genres, for example bebop, hard bop, cool, modal and Latin jazz. And it's from this multiplicity of sub-genres that we choose the deepest, most vibrant selections that the vast, pan-generational catalogue of Keepnews & Grauer has to offer. 

1. James Clay - New Delhi
2. Werner-Rosengren Swedish Jazz Quartet - Bombastica
3. Sal Nistico Quintet - Ariscene
4. Frank Strozier - The Crystal Ball
5. Cannonball Adderley - Primitivo
6. Blue Mitchell - Turquoise
7. Sonny Red - The Mode
8. Clifford Jordan - Sunrise in Mexico
9. Lee Konitz Quintet - Thumb Under
10. McCoy Tyner - Valley of Life
11. Joe Henderson - Earth (feat. Alice Coltrane)

Nicola Conte - Umoja (Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes)

Renowned New York City house music icon Joaquin Joe Claussell has embarked on an electrifying project of ecstatic, spiritual club music with his latest endeavor: a double album worth of reinterpretations of the music from Italian jazz master Nicola Conte's 2023 album Umoja.

Claussell's collaboration with Nicola Conte and Far Out Recordings helps mark the label’s 30th anniversary, as Claussell joins fellow producers such as Theo Parrish, Ron Trent, Kenny Dope and 4hero in remixing music from the label’s catalogue.

Extending the tracks from Umoja for full length, dance-floor focused mixes, Claussell has accentuated the original music’s global, afro-futurist vision with comprehensive rearrangements - featuring additional percussion, guitars, keyboards, synthesizers and drum programming - excavating the source music and re-recording many of its parts under the auspices of his Sacred Music & Cosmic Arts banner.

Nicola Conte - Umoja (Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes) releases on double vinyl LP, CD and digitally on 28th June 2024 on Far Out Recordings.

Tracklist:
1. Umoja
2. Life Forces
3. Soul Of The People
4. Into The Light Of Love
5. Umoja
6. Life Forces
7. Soul Of The People
8. Into The Light Of Love
9. Life Forces
10. Soul Of The People

Hiatus Kaiyote - Love Heart Cheat Code

Melbourne-based band Hiatus Kaiyote announces their forthcoming album Love Heart Cheat Code due June 28th via Brainfeeder Records / Ninja Tune. Alongside the announcement, the band shares their new single out “Make Friends,” the second offering from their upcoming project following their previously-released single “Everything’s Beautiful.” The band are also sharing a visual announcement of the album revealing the playful 3-D world of a family supermarket that the band have created to accompany the music.

A final unscripted addition to the album, “Make Friends” was inspired by words of wisdom imparted to the band by a friend who noted, “You don’t make friends, you recognize them.” Succinct yet profound, this sage insight reminded Nai of the lack of representation for deep, platonic love. “I wanted to have representation for just the different examples of people that I love from the women in my life, to the men, to my non-binary friends,” she shares, “and it was very natural and fun to work on as a formula.” The single is composed of one verse, but Nai takes that one verse through three gender permutations: female, male, and nonbinary. Nai adds, “When I sang the third verse, the ‘them/they’ verse, I actually had to stop. Just realizing that inclusivity is so often denied to some of the people that I love the most, my best besties.”

Love Heart Cheat Code is a snapshot of four musicians dancing together on the edge, 11 playful, exuberant tracks that shine light. Yet, for a band that made a name for itself with its complexity and received critical praise and multiple Grammy nominations for their embrace of maximalism, one of the most striking things about Love Heart Cheat Code is its simplicity. “I’m a maximalist. I complicate fucking everything,” Nai laughs. “But the more you go through things in life, you become more relaxed and uninhibited. Sometimes you can still have depth and reach people and really stop dancing around the fact: What do you want to communicate to people? And I feel like this album is a result of that clarity for us. We didn’t need to spell out complexity if the song didn’t call for it.”

On the forthcoming album, the band’s direction is not always attained directly; less deliberate, and more via deliberation and drift: in jam sessions that last late into the night and early mornings; in meals shared; in messing around with equipment and with each other. The album also features other Melbourne-based musicians like Taylor “Chip” Crawford, who played an instrument of his own invention called the frello; guitarist Tom Martin; and flautist Nikodimos; and the unprecedented addition of a very important creative force: Mario Caldato, whose work with the Beastie Boys and Seu Jorge is the stuff of legends.

Hiatus Kaiyote have always spoken about their albums as microcosms, a complete ecosystem. On Love Heart Cheat Code the band envisioned a strong visual world to coincide with the music and they worked with Sri Lanken born, Toronto based multimedia artist Rajni Perera using one of her paintings as the artwork for the album. Illustrator Chloe Biocca and Grey Ghost then collaborated with the band to create visual symbols and associated artifacts for each of the tracks on the project that pair alongside Rajni’s painting. The artifacts morphed into real products, custom jewelry, edible goods, ranging from the inspired to the haunted and utterly random. Eventually this led the band to conceive of an entirely imagined place, a Love Heart Cheat Code supermarket. The band; its employees who create these products, market them, stack the shelves, clean the aisles. In the banality of creating art into ‘product’ for the modern world the band find solace in each item and song as they are packed with transcendent and resplendent musical magic.

Throughout the album, Hiatus Kaiyote emphasizes sensing rather than knowing, a type of trust that can only be brought through creative harmony and hours of studio sessions. The result is a wide-eyed, cohesive, yet relaxed body of work that reflects a deeper understanding of themselves and the music they wish to share with the world around them.

Tracklist:
1. Dreamboat
2. Telescope
3. Make Friends
4. BMO is Beautiful
5. Everything’s Beautiful
6. Dimitri
7. Longcat
8. How to Meet Yourself
9. Love Heart Cheat Code
10. Cinnamon Temple
11. White Rabbit

The Rayvelles - The Rayvelles

Tracklist:
1. Return Of The Soul Sabre
2. Lough Lannagh (late 90s)
3. Tumblin' Down (feat.
Marietta Smith)
4. Suns Of Marvin
5. Heavy Bop
6. One Black Candle (feat.
Anice O.)
7. Live Terminals
8. Hush Mo
9. Nothing But Reasons (feat.
Marietta Smith)
10. Sebastian and The Void

Roni Size - Brown Paper Bag (Plastic Bag Remixes)

Tracklist:
1. Brown Paper Bag
2. Brown Paper Bag (feat Dynamite - Crissy Criss Plastic Bag mix)
3. Brown Paper Bag (Crissy Criss Plastic Bag instrumental remix)
4. Brown Paper Bag (feat Dynamite - And What remix)
5. Brown Paper Bag (Photek remix)
6. Brown Paper Bag (feat Dynamite - Roni Size Sound Is The Music remix)
7. Brown Paper Bag (Nobukazu Takemura remix)
8. Brown Paper Bag (Roni Size extended mix)



KJM EOANDO - Kyoto Jazz Massive 30th Anniversary Edition

Kyoto Jazz Massive delivers this brand new EP, 30 years after their debut !

A first and exclusive KJM collaboration with Echoes Of A New Dawn Orchestra (aka Jéroboam), the very special Parisian band who's been performing with KJM live in Europe for the past two years. On this occasion, KJM recorded four new tracks with EOANDO, including three new songs ("Power", "Love Wars", "Impulsive Procession") and a rendition of "Stand up", a previously released composition. To complete the album, you'll find a stunning cover of KJM's biggest hit "Substream" by Echoes Of A New Dawn Orchestra and their signature song "EOANDO's Theme".

"Power" and "Stand Up" were recorded with Vanessa Freeman and "Love Wars" with Bembe Segue. The London based duo have been singing for KJM live since 2004.

"Power" is crossover music, blending jazz funk and French disco with a gospel flavour. Vanessa Freeman’s uplifting lyrics appeal to people’s consciousness, bringing energy to the audience. "Impulsive Procession" melds many genres, Afro, funk, jazz, fusion, soul, rock, house and techno, inspired by several of KJM’s most respected music legends. "Love Wars" is a live band rendering of broken beats with a boogie feeling featuring Bembe Segue’s edgy spiritual vocals. A new version of "Stand Up", originally released in 2008, has been re-recorded with Echoes Of A New Dawn Orchestra playing live in the studio and fresh vocals laid down by Vanessa Freeman. "Substream" is one of KJM's most popular songs, covered by Echoes Of A New Dawn Orchestra for Tokyo Crossover/Jazz Festival official compilation “Tokyo Crossover Night 2023”, which was recorded as an organic disco version at Danilo Plessow’s studio in Paris. Closing the album is "EOANDO’s Theme", specially composed by Echoes Of A New Dawn Orchestra for KJM. They understand how much the Okino Brothers love this kind of boogie funk jam with brazilian/balearic vibes.

Tracklist:
1. Power (feat. Vanessa Freeman)
2. Impulsive Procession
3. Love Wars
4. Stand Up (feat. Vanessa Freeman)
5. Substream
6. EOANDO's Theme

VA - East Wind: Revolutionary Japanese Jazz in the 70s

A treasure trove of Japanese jazz from the 70s - all originally issued by the groundbreaking East Wind label - not the first Japanese company to focus on jazz, but one who definitely helped move the scene a few steps forward with killer recordings like these! East Wind came in at a time when Japanese avant and fusion work was really picking up steam - and, combined with attention to earlier hardbop modes, the label was able to craft a fantastic catalog that allowed older and newer modes to resonate together strongly - usually with all Japanese groups in the lineup, but sometimes also opening the door to American jazz musicians too - some of whom made some of their best records of the decade for East Wind! This well-done set focuses only on the Japanese artists recorded by the label and features a special selection of tunes handled by Yusuke Ogawa, who did all the work for the Deep Jazz Reality series over the past 20 years or so.

CD1
1. Masabumi Kikuchi - East Wind
2. Shunzo Ohno - Something's Coming
3. Sadao Watanabe - Vichankani
4. Terumasa Hino - Hohjoh
5. Isao Suzuki - Hip Dancin'
6. Mikio Masuda - Prayer

CD2
1. Takehiro Honda - Minors Only
2. Kohsuke Mine - Recollection
3. Masahiko Togashi - Ring 4
4. Kochi - Auroral Flare
5. Mikio Masuda - Let's Get Together
6. Sadao Watanabe & The Great Jazz Trio - Episode
7. Tsuyoshi Yamamoto Trio - Green Dolphin Street
8. Ryo Kawasaki - Montevideo

Red Hot Org - Outer Spaceways Incorporated : Kronos Quartet & Friends Meet Sun Ra

Individually, Kronos Quartet and Sun Ra are two of the most groundbreaking names in contemporary music. The former is the legendary San Francisco-based string quartet that laid a blueprint for what concert music could become, working with the likes of John Cage, Tanya Tagaq, and Astor Piazzolla. The latter was a singular jazz and avant-garde bandleader, as well as a philosopher and poet, who honed an extraordinary strain of cosmic experimental music from the 1950s until his ascension in 1993. As a capstone to Kronos Quartet’s 50th anniversary, the group has joined forces with the Red Hot Organization for the new album Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra. It’s stacked with some of the most innovative artists active today — everyone from multidimensional electronic musician Jlin, to Moor Mother and DJ Haram’s radical noise / rap project 700 Bliss, to abstract hip hop luminaries Armand Hammer, to avant-garde hero Laurie Anderson, to minimalist pioneer Terry Riley.

1. Outer Spaceways Incorporated
2. Maji
3. Daddy's Gonna Tell You No Lie
4. Images Suite
5. The Furthest Out Things
6. Phenomenon
7. Black Body Radiance
8. Blood Running High
9. The Wuz
10. Secrets Of The Sun
11. Love in Outer Space
12. Three Seasons In The Tempestuous Twelve Inch Planet
13. Kiss Yo' Ass Goodbye

Marsha Ambrosius - CASABLANCO

Tracklist:
1. Smoke
2. Tunisian Nights
3. One Night Stand
4. Cloudy With A Chance Of ...Real
5. Greedy
6. Self Care / Wrong Right
7. Wet
8. Thrill Her
9. The Greatest
10. Best I Could Find
11. Music Of My Mind



RJD2 - Visions Out Of Limelight

The 8th full length studio album from RJD2! You may know him from the Mad Men theme. Or "Deadringer". Or those commercials and shows and movies and such. You may not even know the name, but you surely know the tunes. Well into his third decade in the game, RJD2 refuses to let his foot off the gas with quality albums. Ever so funky, mysterious, and quirkily soulful, "Visions Out Of Limelight" continues his tradition of making records free your mind, and you know what will follow. Featuring vocals from the legendary Jamie Lidell, long time collaborator Jordan Brown, and even one song by the man himself, this album is sure to satisfy longtime fans and those new to the party alike.

Tracklist:
1. Cold Eggs
2. Catch The Exit Door
3. Through it All (featuring Jamie Lidell)
4. What I Do, Man
5. Es El Nuevo Estilo
6. Resting On The One
7. Fools at the Haul (featuring Jordan Brown)
8. Wild for the Night
9. Another Dime From Messoud
10. Apocalpyse March
11. A Real Screamer
12. Full Time Move, Jack
13. Asphalt Lamentation



Sefi Zisling - The Librarian

Renowned jazz and funk trumpeter Sefi Zisling presents his third album ‘The Librarian’, blending classic elements with psychedelic funk, soul, and spiritual jazz. ‘The Librarian’ is dedicated to all things close to Sefi’s heart. Featuring the single “Brothers” and a cover of Mal Waldron’s “All Alone”, he pays homage to his musical inspirations, his wife, friends, and Eyad, a Palestinian whose story moved Sefi.

"This album was made as an ode to the people I love, and I would like to dedicate this album to them." - Sefi Zisling

The cover art is a painting by the late Walid Abu Shakra, a member of the Abu Shakra family who have collectively played a pivotal role in the Palestinian-Israeli art scene and are respected worldwide. Walid aimed to highlight the expropriation of Palestinian land by the Israeli state and centred his artistic career on safeguarding a disappearing landscape through his monochromatic etchings. When attending an exhibit, Sefi was drawn to the views from his childhood, particularly Walid’s portrayal in acrylic, with 70s geometric forms with bright colours. After exchanging numbers with the family and working with designer Paul H.Um, the piece was transformed into the cover art for ‘The Librarian’.

“I chose this title because I am this librarian. That is how I consume and enjoy music, the way I remember and catalogue in my mind… all the way to my vinyl collection. So this tune and the whole album are full of references and memory “postcards” from my library of things I love to listen to and play.” Sefi explains.

The LP opens with “The Librarian”, from which the album takes its namesake, and draws inspiration from Bennie Maupin’s enchanting album 'The Jewel in the Lotus'. Sefi was experimenting with writing a piece that contained contrasting parts, which is carried through the juxtaposing delicacy of the floating melodies over a dense, free-form background. Continuing the personal theme, “Layla” takes the listener on a journey through infinite and ever-changing scenery. The “full, rich and lively” instrumentation is a reflection of Sefi’s wife through his eyes. “No doubt I’m a lucky man,” he adds.

“Song for Eyad” is dedicated to a beautiful and innocent soul, Eyad al-Hallaq, a 31-year-old autistic Palestinian from East Jerusalem. On May 20th, 2020, while walking with his teacher to his daycare centre for individuals with special needs, Eyad encountered an IDF checkpoint. As Eyad became panicked and fled in his confusion, a border police officer opened fire. In one of the last images captured of Eyad, he is seen holding a succulent plant, which is used as a symbol on the back of the LP, commemorating his tragic loss. The song serves as a reminder for us to conduct ourselves with humanity and love.

A friend for life, Zack is “a music lover in the highest form,” Sefi explains. Zack played a huge part in Sefi’s journey as an artist, with endless recommendations and teachings. DJing together frequently, Sefi wanted to show thanks for his support with “Fortune Song (For Zack)” which shares their love of Yusef Lateef and musical ballads.

Yusef Lateef's influence is present throughout the album, inspiring Sefi to depart from his usual ensemble-driven style and embrace a jazz-infused intimacy reminiscent of Lateef's quintet recordings. With a smaller band, Zisling crafts a warmer, more personal atmosphere rooted in traditional jazz instrumentation like upright bass and piano, with the funkier, electronic-leaning exception of "Brothers". Recorded live in 2021 with his quartet Noam Havkin, Tom Bollig, Omri Shani, and trombonist Yair Slutzki, ‘The Librarian’ epitomises Zisling's evolution as a composer and performer, showcasing his most personal work yet.

Tracklist:
1. The Librarian
2. Layla
3. Brothers
4. Song for Eyad
5. Fortune Song (For Zack)
6. All Alone



Friday, June 07, 2024

Aloe Blacc - Rock My Soul: Volume 1

Tracklist:
1. Black Hole Sun
2. Lithium
3. Don't Speak
4. Under The Bridge
5. When I Come Around



Sandman Project - Where Did You Go?

Sandman Project’s long awaited debut album Where Did You Go? is a borderless amalgam of brass heavy sounds, a document of a band whose musical tendencies mimic their open-minded ethic where Ethio- jazz, Afrobeat, American soul music and psychedelic, Mediterranean funk traverse.

Led by guitarist and composer Tal Sandman, Tel Aviv based Sandman Projects’s last release was in 2018 on their debut EP, their only existing recording. Six years later and it is no surprise this expansive work is positively brimming with an ocean of ideas, rooted in jazz, exceptionally crafted and boasting a myriad of musical pivots with a subtle but crucial production and synth touch by producer Tomer Baruch.

Absolutely key to this new recording and Tal’s adult musical upbringing and education is the ongoing influence of saxophonist Abate Barihun, sometimes known as the Ethiopian John Coltrane who is an Ethiopian Jew who emigrated to Israel in 1999. Whilst he doesn’t feature directly on the record, Tal has long been mentored and stewarded by him and she affirms that “his inspiration continues to play a crucial role in my creative process.”

And so, to the album’s title track Where Did you Go which oozes film- noir with Tal’s omnipresent Tizta sound using the Tezeta scales from Ethiopia dictating the mood whilst synths transcend and build an immersive soundscape something akin to Mulatu Astake jamming with the Fleet Foxes with Brian Eno-esque electronic manipulation.

The Sandman project line up comprises of 5 core musicians with Tal Sandman on electric guitar, Tal Avraham playing trumpet, Tal Eyal on percussion, Noam Cherchie on drums and Ariel Harrosh on bass. Additional synth and organ provided by producer Tomer Baruch and guest vocalist Dafna Shilon joins on the album closer The Other Side. The group all live in Tel Aviv with Tal living in the Jaffa neighborhood for 12 years and the official birth-place of the Sandman Project. Jaffa is a diverse urban region where Arabs, Jews, Christians and many more live harmoniously together and it’s here where Tal has been active in building community ties and where she has recently started learning Arabic. The recent and shocking violence and war in Israel and Palestine has strengthened the bonds within the Jaffa community and a sense of unity and desire for peace has pervaded echoing Tal’s wish for peace, for real and imagined boundaries to dissolve and war and survival to be replaced with compassion and humanity. Jaffa is also Tal’s place of respite and spiritual place of being, where she returned to after significant musical and creative excursions to Goa in India (where she formed the Goa Afrobeat Band) and to London where she created a branch of the Sandman Project.

Tal’s recent trip to Goa is effectively soundtracked on the album opener Karnataka, which borrows from the east, both the spirit and it’s drumming, inspired by a South Indian wedding ceremony. Trumpets and Tal’s incessant but measured guitar riffing using Indian scales transcends into a beautiful soundtrack of jazz and psychedelia energized with a propulsive funk. Temptation & Figs reverberates with a sly groove, an organ filled and chilled groove given a life affirming vibe with it repetitive and harmonized vocal pass building to a trumpet crescendo.

The cine flavoured edge of Sandman Project goes wide screen on The X Files as bizarre electronic gurgling remiss of early BBC Radiophonic recordings intertwine with horn stabs and a percussion solo. Further vintage synth excursions repeat on Cauda Equina, with Tal’s heavy fretting giving the track a funk feel, and a dreamy one as the trumpet builds. Dafna Shilon’s entrance at the end of the album on The Other Side is unique in that it brings a skank to proceedings and is the only lyrical song from the collection.

Six years in the waiting, and with plentiful personal and collective transformation giving Where Did You Go? a deeper sense of geography and global nuance, the new sound of Sandman Project is rich, porous and dreamy and essentially, full of hope.

Tracklist:
1. Karnataka
2. Intro Based On Fire
3. Based On Fire
4. Where Did You Go?
5. Cauda Equina
6. Chinese Box
7. Temptations & Figs
8. The X Files
9. Before The Storm
10. The Other Side

Finn Rees - Dawn Is A Melody

“Fans of Alice Coltrane and Arthur Verocai will find succour in his ancient/modern arrangements.” 4/5 - Mojo

“An effective snapshot of the talent and versatility of the young Melbourne jazz scene, and positions Rees as a bandleader, composer and musician whose profile, like that Tasmanian sun, is guaranteed to rise." - Jazzwise

Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Allysha Joy, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.


Tracklist:
1. Looking Up
2. Lagoon
3. Horizons
4. It's Behind Me Now
5. Expansion
6. End Of The Line
7. Crossing
8. Ablaze
9. Between Spaces
10. As It Passes



VA - Entangled Grounds - The Sound of XJAZZ! Berlin

This one of a kind compilation united the brightest minds of the Berlin music community on one record to represents the DNA of the local jazz scene. Recorded over five wintery days in 2023 at Brewery Studios, unique collaborations were made alongside individual artists to showcase the sound so often experienced each year at XJAZZ!. Featured artists included Szabolcs 'Szabi' Bognár (Àbáse), Moses Yooffee, douniah, Sera Kalo, Sofia Efty, Z.F.E.X, Wayne Snow, Sonic Interventions, Sofia Efty, Petter Eldh and a specially commissioned suite featuring A Song For You with string arrangements from Zacharias Falkenberg.

Tracklist:
1. Group 26.11 – Follow Me (feat. Wayne Snow, Petter Eldh, Szabolcs Bognár, Ori Jacobson, Lukas Akintaya & Àbáse)
2. Zuza Jasińska & Moses Yoofee – Still Waiting
3. Zacharias S. Falkenberg – I Declare Maximum Boredom
4. Sera Kalo, Marius Max, Nick Dunston & dylan greene – AFENI
5. douniah – In the middle of the night
6. Sofia Eftychidou – sunflower
7. Zeitgeist Freedom Energy Exchange – Lady in Scarlet
8. Àbáse – Ohm Eleven (feat. Petter Eldh, Ori Jacobson & Lukas Akintaya)
9. Sonic Interventions – Can't Uproot Me
10. Moses Yoofee, Petter Eldh, Szabolcs Bognár & Zacharias S. Falkenberg – The Brewery Suite (feat. Ori Jacobson, Monica Mussungo & Paulo Cedraz)



Delta - Lost Dubs 1

Tracklist:
1. Anemophobia
2. XYZ Cannon
3. Xerxes
4. Tenko VIP
5. Swanton
6. Nothing Here
7. Jagged Edge Instrumental
8. Force One
9. Flutez
10. Armed Response

Robert Glasper - Let Go

“My whole career, everybody’s been saying my music is meditative,” Robert Glasper tells Apple Music. “People say they study to my music, they pray to my music, they do yoga to my music, they just zone out. People have wanted me to do this for a long time.” The Grammy Award-winning pianist and composer is talking about the direction of his latest album Let Go, a project he created in partnership with Apple Music with the express intention of helping listeners recalibrate mentally. “I wouldn't call it the ‘meditation project’ or nothing like that,” Glasper says. “But it’s something you can put on that helps you find your center. It's just something that quiets the world and allows you to see what’s within.” Let Go may be the first Glasper project with an overtly meditative direction, but it’s hardly the first time the man has approached creating from an altruistic angle. Glasper says that his last proper release, 2022’s Black Radio III, was concocted in an effort to uplift some of his favorite voices, an undertaking that yielded collaborations with names like Q-Tip, Meshell Ndegeocello, Gregory Porter, Killer Mike, and Esperanza Spalding, artists who exist across the jazz, hip-hop, and R&B spaces he so regularly traverses between. “I wasn’t going to do a Black Radio III,” Glasper says of the beloved series in which previous installments have also played out like pitch-perfect Grammy-week jam sessions. “I didn’t feel like it was needed—and then I don’t want to become a broken record with this shit. But then when COVID hit, I felt like a musical first responder. I felt like I could really help people with that record—and it could help me. It’ll give me something to do and it’ll give other artists something to do.” Two years out from that project, what the world needs now—according to Glasper—is peace, sweet peace, a mission that requires a particular kind of instrumental support. Here, that means cherished Glasper collaborators like drummer Kendrick Scott, bassist Burniss Travis, and guitarist Chris Sholar, players Glasper knew would bolster this album’s very particular energy. “The musicians are very, very important because they have to have that same flow and that same center,” he says. “The drummer that’s on here, he’s a water sign. Everything he plays is water. He feels like water. And that’s what I wanted for this. I wanted it to be liquid.” Coincidentally, esteemed singer and bassist Ndegeocello guests on a song called “Breathing Underwater,” one of the album’s few vocal moments. Otherwise, we’re hearing from Glasper directly, serving to further articulate why he needed to deliver Let Go in this moment. “Every year I make a record, I'm more of myself,” Glasper says. “I’m growing up, I’ve lived more life, I’m really telling my story. The way you find your sound is you write music—and anything you write, it’s going to be the only thing like that in the world.”

Tracklist:
1. Breathing Underwater (feat. Meshell Ndegeocello)
2. Your Eyes
3. Let Go
4. Inner Voice
5. Round ‘bout Sunlight
6. Going Home
7. That One Morning
8. Awakening Dawn (3:34)
9. Luna’s Lullaby (feat. Burniss Travis)
10. Deep Down
11. Enoch’s Meditation
12. I Am
13. Truth Journey

Big Bud, Furney & A Sides - Pioneers, Legends & Icons Of Liquid Drum & Bass Music

Liquid Drum & Bass 4 Autism presents: Pioneers, Legends & Icons of Liquid Drum & Bass Music Like fine wine that improves in flavor and increases in value over time, this unprecedented musical release featuring 30-year pioneer drum & bass producer Big Bud teamed up with the legendary Furney and drum & bass icon A Sides, will last the tests of time as not only a classic but as one of the most memorable drum & bass compilation albums of its time. Fittingly and in remarkably similar spirit, the beloved drum & bass MC/lyricist Tali makes a musical appearance in a cross collaboration with A Sides, singing her smash hit 'Rise To The Top'. So, put on your most comfortable dancing shoes, open that bottle of wine you've been saving, set the EQ/bass levels to your liking and enjoy this musical masterpiece. LDNB4Autism is a 501c3 non-profit organization. Please know 100%% of all sales and streams donated to students and teachers for autism research. Your support is deeply appreciated. What are some people saying about this release? LTJ BUKEM: 'Wicked tunes' Grammy-nominated artist Jay Cappo a.k.a. DJ Stunna - 'Another great album of refined DNB'

Tracklist:
1. A Sides – Delicate Beginnings
2. Big Bud – Look Deeper
3. Furney – Destiny Unfolding Within
4. A Sides & Tali – Rise To The Top
5. Big Bud – Eva
6. Furney – The Way To Get To You [The Glory Tribute Remix]
7. Furney – Fantastic Passion
8. Big Bud – Purple People
9. A Sides – Heatwave
10. Furney – Carson
11. Big Bud – Green It Was
12. A Sides – A Portrait Ending

Chop - MILS013: Glass Cathedral

Entry #13: Chop, engineer/producer/synthophile and sample source to the likes of DOOM and Ye, brings clerestory electronic and psychedelic grooves. Featuring Malcolm Catto.

Tracklist:
1. Out to Lunch, Pt. 1
2. Oscillo
3. Mutant
4. Monolith
5. Trigger
6. Omilation
7. Glass Cathedral
8. Strange Dream
9. Out to Lunch, Pt. 2
10. Patchwork
11. Leuterisms
12. Flip
13. XYZ
14. Tub
15. Rioflection
16. Psycho Bubble
17. The End

Greg Foat & Gigi Masin - The Fish Factory Sessions

Fresh off the heels of their critically acclaimed collaboration album "Dolphin", UK jazz metro Greg Foat and Venetian electronic luminary Gigi Masin join forces once again for The Fish Factory Sessions, an exclusive release for Record Store Day 2024.

This mesmerising studio session was recorded during a live performance at Antonio Feola’s beloved Fish Factory Studios in London, in August 2022. The ensemble that enchanted listeners on "Dolphin" reassembles, featuring the talents of Greg Foat, Gigi Masin, Moses Boyd on drums, and Tom Herbert on bass.

Within this ambient, somewhat Balearic journey, you'll find alternate renditions of Masin's poignant tribute to his late wife, 'Sabena,' and the atmospheric 'Viento Calido,' both of which graced the original "Dolphin" release. In addition, the album introduces two fresh compositions: the uplifting 'Jubilation' and the extended freestyle opus 'Three Piece Suite,' representing some of the most inspired recordings from their collaboration to date.

Released as a limited single LP, The Fish Factory Sessions is pressed on translucent sky blue vinyl housed in an untreated card sleeve with spot varnish. Mastered by Mark Ashfield at Cosmic Audio.

Tracklist:
1. Jubilation
2. Sabena
3. Three Piece Suite
4. Viento Calido

Homeboy Sandman & Mono En Stereo - Rich II

Tracklist:
1. Don’t Even Think About It
2. People
3. Every Day
4. Need A Woman
5. Mayor Koch
6. Leave Me Alone
7. Win Win
8. Summertime
9. Thank You
10. The Place I Want To Be
11. Dream Come True


The Brkn Record - The Architecture of Oppression Part 2

Introducing "The Architecture of Oppression Part 2" - the highly anticipated follow-up to Jake Ferguson's critically acclaimed debut album - Part 1. Ferguson is recognised as the ‘other half’ of The Heliocentrics, producing his solo work under the moniker, The Brkn Record. Effortlessly merging the realms of music and activism, he has created a groundbreaking album, which is set to be one of the most important bodies of work that illustrate ongoing systemic racism this side of the millennium.

Ferguson takes the listener to a world where artistry and social consciousness intersect. Crafting an array of captivating soundscapes and themes. This album showcases the vocal talents of both established artists and hidden gems discovered through Ferguson's day-job as a former charity CEO and community activist.

While Part 1 served as a rallying cry to dismantle oppressive systems, Part 2 offers a compelling soundtrack of a Pro-Black world reclaiming its destiny. This thought-provoking art piece invites listeners to envision alternative paths while avoiding the pitfalls of past paradigms.

Unlike a broken record, this The Brkn Record album keeps pushing boundaries—

By enlisting the voices of The Global Majority, The Brkn Record creates a platform for genuine expression through sound. Renowned for his production skills, Ferguson has captured the admiration of industry heavyweights including Nas, Madlib and Kanye West. However, rather than seeking popular features, he chooses to amplify the authentic perspectives of the talented youth he collaborates with in Hackney.

One such initiative supported by Ferguson, Account Hackney, introduced him to two gifted artists showcased on this album – Great Okosun and Yolanda Lear.

‘This album serves as a visceral demonstration of my anger at the racially founded status quo in this country and globally. The continued oppression of people on the basis of their race is beyond evil, it's common place and needs to end. Simple as.’

The album also sees Ferguson joining forces with award winning laureate Anthony Joseph and legendary hip-hop MC Percee P - their dynamic and thought-provoking lyrics seamlessly intertwine with expertly produced musical landscapes.

"The Architecture of Oppression Part 2" is not just an album; it is a transformative journey that challenges the listener and wants you to ‘feel’. It’s Art. A musical experience that inspires, compels, and empowers. Over to you!

Tracklist:
1. Black Gold
2. Cut the Cheque
3. Skull Tax
4. We Need Freedom
5. Believe
6. Indifference
7. Why Do They Fear Us
8. Intensity in Five
9. Prison of Skin
10. The Walls of Jericho

Kaidi Tatham - Fusion Moves (The Instrumentals)

Reel People Music breathes new life into its gleaming vault of back catalogue classics with brand new series Fusion Moves. The series will offer talented music-makers the opportunity to remix and reinterpret label releases of their choosing, kicking off with soulful progressive Kaidi Tatham in the hot seat.

Tatham’s modus operandi is clear from the get-go. Opening selection Sebb Junior feat. Paula’s All Of My Life flows dreamily upon that trademark Tatham mix of organic beats, polished horns and immersive keys. As Paula rightly sings, “the beautiful can happen.” And keep happening…. Reel People feat. Mica Paris’ reworked I Want To Thank You gains elegant funk and boogie bounce, a bubblin b-line and those upweighted backing vocals adding new urgency and depth, whilst some extended bass-end manoeuvrings on the collective’s 2020 hit Save a Lil Love provide a hugely effective counterpoint to Eric Roberson’s super-smooth vocals.

Tatham switches things up for his re-take of The Realm x Atjazz x Kelli Sae’s deep afro-house burner On The Road, adding wonderfully carefree jazz-funk flow ‘n’ feeling replete with sweet synth solos and guitar licks. The snappy syncopated rhythms propelling Daz-I-Kue feat. Hadiya George’s Pedigree and Monkey Brothers feat. Sean Escoffery’s stunning Losin’ My Head align to the rich broken beat heritage for which most admirers associate him but, true to form, he continues to glide compellingly between mood and moves….

From the loose bass-guitar groove of Eric Ericksson & Reel People feat. Debra Debs’ Don’t Hold Back On Love and sultry strut and swagger of AAries’ Don’t Give It Up to Sebb Junior feat. Muhsinah’s infectiously jammin’ Special – lovingly framed by nimble jazz-piano play – and the liberatingly upbeat dressing applied to Tony Momrelle’s seminal Fly, Tatham’s sonic upholstery right across Fusion Moves is as skilful as it is impactful. One expert body of work built upon another.

“I know Reel People Music’s discography so well that I had a pretty immediate sense of the tracks I wanted to work with once they gave me the keys to their kingdom,” Tatham explains. “For each song I closed my eyes, imagined playing them live on stage and let the chords and musicality fire from there. My sound incorporates so many different styles, from hip-hop and broken beat to soul and disco. It’s a perfect fit for Fusion Moves. The Reel People team share my mission statement to make people dance, smile and think.”

Based in Belfast, Kaidi Tatham is the multi-instrumentalist, producer and DJ who helped to define West London’s iconic broken beat sound during the late Nineties but who has continued to operate beyond genres and pigeonholes – be that via albums including In Search Of Hope, Bandana and Don’t Rush The Process, his dance music-focused pseudonym Agent K and a raft of collaborations including those with Bugz In The Attic, 4Hero, Amp Fiddler, Amy Winehouse and Slum Village.

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and soulful groove. Label alumni include Tony Momrelle, Portia Monique, The Layabouts, Kelli Sae, Sebb Junior, Opolopo, Angela Johnson, Emmaculate and Mothers Favorite Child.

Expect to hear further Fusion Moves in the coming months. Fresh twists on quality songs and sounds. Always with soulful authenticity at the heart.


Tracklist:
1. Sebb Junior – All Of My Life (Kaidi Tatham Instrumental Remix)
2. The Realm – On The Road (Kaidi Tatham Instrumental Remix)
3. Reel People – I Want To Thank You (Kaidi Tatham Instrumental Remix)
4. Daz-I-Kue – Pedigree (Kaidi Tatham Instrumental Remix)
5. Eric Ericksson – Don’t Hold Back On Love (Kaidi Tatham Instrumental Remix)
6. Reel People – Save A Lil Love (Kaidi Tatham Instrumental Remix)
7. Aaries – Don’t Give It Up (Kaidi Tatham Instrumental Remix)
8. Monkey Brothers – Losin’ My Head (Kaidi Tatham Instrumental Remix)
9. Sebb Junior – Special (Kaidi Tatham Instrumental Remix)
10. Tony Momrelle – Fly (Kaidi Tatham Instrumental Remix)