“Fans of Alice Coltrane and Arthur Verocai will find succour in his ancient/modern arrangements.” 4/5 - Mojo
“An effective snapshot of the talent and versatility of the young
Melbourne jazz scene, and positions Rees as a bandleader, composer and
musician whose profile, like that Tasmanian sun, is guaranteed to rise."
- Jazzwise
Mr Bongo proudly presents the debut album from Tasmania-born,
Melbourne-based, Finn Rees. Gliding across a swirling palette of
saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but
familiar at the same time. A spiritual, deep and textured jazz record,
tipping its hat to greats from the past, capturing memories and
reformulating them into new ideas with the help of some of Melbourne’s
finest talent.
Expert keys player for the likes of 30/70 and Allysha Joy, alongside
one-half of Close Counters, this debut LP was Finn’s conscious departure
from the realm of groove-based jazz. Instead, Dawn Is A Melody places
the piano and arrangements centre stage, giving Finn and his fellow
Melbourne crew freedom to explore the spaces in between, new emotions
and alternate soundscapes.
In Finn’s own words: “My intention with Dawn Is A
Melody was to create a world; a microcosm of colour. Something rich and
beautiful that allowed the melodies and compositions to reach their
full potential. It was driven by hope, curiosity and the search for
beauty and reassurance in this ever-changing world. The emotion behind
the music is really about the journey of life, growing up and changing,
as well as my relationship with Tasmania’s natural landscapes where I
grew up, a part of the world that is incredibly unique and beautiful.”
The album arcs between opening, middle and end. Beginning with the
optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string
and harp marbled slice of positivity, the latter a spiritual journey of
exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand
piano. From there the songs blossom outwards with the cinematic soulful
journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as
the divine ‘Crossing’ signals a transition to a new realm. The energy is
transformed from the rich cosmic textures to a more intimate and
personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’
which blissfully fades down to simply piano and strings to close out the
record.
Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was
drafted in as recording and mix engineer, his minimal vintage mic setups
giving a live aesthetic and warmth to the arrangements. Lucky Pereira
and Blakely McLean Davies form the rock-solid rhythm section, with a
hand-picked line-up of other Melbourne talent on display, including
Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on
trumpet and Allysha Joy on vocals to name only a few.
Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur
Verocai, this is a debut nourished by the past but firmly made in the
present. A record unable to be age-stamped, casting ambiguity as to
when, what era and by whom it has been crafted. Like a vintage lens
capturing a current scene, Dawn Is A Melody is warm and familiar yet
focused on the here now.
Tracklist:
1. Looking Up
2. Lagoon
3. Horizons
4. It's Behind Me Now
5. Expansion
6. End Of The Line
7. Crossing
8. Ablaze
9. Between Spaces
10. As It Passes