Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing
from Hamburg, Germany made significant noise in 2024 when French film
Anatomy of a Fall won an Academy Award for best original screenplay.
Bacao’s cover of 50 Cent’s “PIMP” was featured so heavily in the film
and plays such a huge role in the storyline that it became synonymous
with its success. Subsequently, they ushered in the first appearance of
steel pans in the orchestra pit at the Academy Awards so they could play
the tune as director Justine Triet walked on stage to accept the award.
All of this brought a lot of new fans to Bacao and pushed the streaming
numbers of “PIMP” well past 40 million. For those in the know, this
tune made its way into underground fame back in 2008 when it was first
pressed on band leader Bjorn Wagner’s own Mocambo imprint and was often
mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, “PIMP” is literally just the
tip of the Bacao iceberg. With four full length albums and a tall stack
of 7” singles that have become staples to DJs around the world, they
have been prolific since signing with Big Crown in 2014. Despite the
constant releases and elaborate catalog, every recording session has
borne more fruit than could fit on an album, leaving a
handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4
we open up that vault and give all (well, most of) those tunes a proper
pressing and release.
The album opens up with their cover of the Bob James uber-classic
breakbeat “Nautilus” and they put a spin on the original that puts it
directly in the must have category for all hip hop and breakbeat
enthusiasts. Keeping their foot on the gas, they give the BRSB treatment
to the Khruangbin classic “Maria También” with their signature bottom
heavy drums taking the energy of the tune to a whole new place. Infamous
for digging deep in the crates when picking material to reinterpret,
they next take on Royce the 5’9”'s J Dilla produced “Let’s Grow”.
Originally the B side to the first pressing of “PIMP” (and making an
appearance on the very limited first 2LP pressing of their debut album
55) we put the “PIMP (Version)” on here where they give their original
recording the proper dub treatment with melodica and tape echo galore.
They turn up the tempo and the funk covering the Jackson 5’s “Great To
Be Here” and again dive deep into obscurity with the Billy Jones
dancefloor burner “Lookout Baby (Here I Come)”. While part of the allure
of a new Bacao Rhythm & Steel Band album is finding out what covers
they are going to take on, it is equally intriguing to see what
original tunes they’ve cooked up. While BCR Vaults Vol. 4 only has one
original, “Kaiso Noir”, it’s an uptempo crowd-pleaser that sounds like a
mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of
genres from hip hop to jazz to soul and pop through the Bacao lens. The
band is already at work on their 5th full length studio album and this
compilation should be the perfect thing to hold fans over until it
arrives.
Tracklist:
1. Nautilus
2. Maria También
3. Let’s Grow
4. PIMP (Version)
5. Look Out (Here I Come)
6. Great To Be Here
7. Juicy Fruit
8. 8th Wonder
9. Murkit Gem
10. All For The Cash
11. Kaiso Noir
12. Guess Who’s Back
13. Giana Sisters