On April 18, 2019, fresh off the plane in Iquitos, I jumped into the
taxi of an elderly gentleman and immediately knew that the stars were
aligned. As we rode toward the city center, I explained that I had come
to the Peruvian Amazon to find Ranil. “You mean Ranil the singer? I know
where he lives,” he replied, as if it were the most natural thing in
the world. “He has a radio station — I’ll take you there.” We arrived in
the heart of the frenetic Belén market 30 minutes later, and before I
knew it, I was no longer searching for the man — I was standing right in
front of him. Ranil and I hit it off immediately and ended up spending a
month working together on this project.
A year later, in early 2020, I booked a flight back to Perú, this time
carrying with me the first volume of Ranil y Su Conjunto Tropical,
freshly pressed on vinyl. The plan, together with Ranil, was to organise
a release party in Lima and then continue on to Iquitos, but it was not
meant to be. Before we could gather, a lockdown paralyzed the country,
and Ranil passed away on April 24, 2020. Those who knew him best said
that the silence that fell over his beloved neighbourhood was the one
thing his heart could not endure.
Born in 1935 as Jorge Raúl Llerena Vásquez, Ranil’s story begins in the Peruvian Amazon, in a corner where the sounds of the
forest fuse with stray radio waves from Colombia, Brazil, and Ecuador.
After winning several local singing contests as a young man, he quickly
realized that breaking into Peru’s music industry — especially as an
artist from “the end of the world” — would not be an easy path. So he
focused on his studies, becoming a teacher in a rural town near the
Brazilian border, quietly writing his first songs to the rhythm of
jungle life.
Years later, back in Iquitos, destiny arrived in the form of Johnny
Quinteros of Los Silver’s, who invited Ranil to join as singer. Their
two albums recorded in the early 1970s, became cult treasures. When the
band dissolved, the lead guitarist Limber Zumba and Ranil teamed up and
recorded a demo that they took to Lima in search of a recording company.
Returning disappointed from the capital — where unacceptable conditions
had been proposed — Ranil decided to start his own label, Producciones
Llerena, something unheard of in this part of the Peruvian Amazon.
With a rotating cast of brilliant musicians such as Luis Nigro, Emilio
Piña, and Betto Gaviria by his side, Ranil crafted a sound that locals
lovingly called "llullampeo" — imaginative, unpredictable, and
fabulously unrestrained. His percussionists wove grooves that have not
resurfaced in the region since, and the 14 songs presented here remain
some of the most vivid document of that fearless, free-spirited, often
psychedelic ensemble.
Over the years, Ranil released more than a dozen LPs, though often in
beautiful disorder. Mismatched covers, wrong labels, missing song
titles, chaotic management — Producciones Llerena was not meant to
survive the test of time.
By the 1980s, as Amazonian cumbia faded and new trends took over, Ranil
reinvented himself as a radio pioneer, founding Radio Llerena in the
heart of Belén’s market. Its loudspeakers filled the neighbourhood with
cumbia, commentary, and community news, turning him into one of
Iquitos’s best-known voices and setting him on the path to politics.
Outraged by Amazonian injustices, Ranil ran several times for Mayor of
Belén with the Popular Action party, but he never won an election.
*** Epilogue by Samy Ben Redjeb ***
While I was stuck in Lima during the lockdown, I uploaded a selection of
previously unreleased Ranil songs to our Bandcamp for a symbolic sum of
$1. The collection was titled “Stay Safe & Sound – The Ranil
Selection.” To my surprise, people began contributing far more than the
suggested amount.
Looking for meaningful ways to put that money to use, I got in touch
with Berlin-based Peruvian music producer Diego Hernández of the Eck
Echo label. During our first conversation, I learned that in Iquitos,
many people were dying primarily due to a shortage of oxygen. Diego told
me about Father Raymundo Portelli, a priest who had been coordinating a
fundraising campaign to acquire an oxygen plant for the city’s
inhabitants. He was clearly the person we needed to support.
Diego and I joined forces to establish the Amazonía Relief Fund,
actively encouraging contributions while featuring the Ranil selection
as our centerpiece. Within two weeks, we had raised approximately
€13,000, which was donated directly to Father Raymundo to facilitate the
purchase of a second oxygen plant—likely saving many lives.
Even in death, Ranil was doing God’s work!
Tracklist:
1. Galaxia Tropical
2. Bahia
3. Inka
4. Tres Cienaquero
5. Con Ranil por supuesto (Interlude 1)
6. Gitanita
7. Álbores De Mi Selva
8. Cumbia Del Torero
9. Llora Venus
10. Serenata (Interlude 2)
11. Pueblo
12. Mambo En Espana
13. Lindo Atardecer
14. Andalucía
