Call Sender - Lost To The Storm

“Dark cosmic psy-fi funk with crunchy drums and spacey sounds. Something you would like to find on 70‘s DeWolfe or Conroy library. Right up my alley!” JJ Whitefield (Poets of Rhythm / Karl Hector / Whitefield Brothers)

“Some delicious moody funk scapes that tick all my boxes” Shawn Lee

“A brilliantly played & recorded album in the vein of the Library Music that no doubt inspired it!” DJ Format

Call Sender is the collaborative brainchild of Suffolk (UK) based multi-instrumentalist, composer, producer, and engineer Paul Elliott and Bay-area (US) resident multi-instrumentalist, recording engineer and drummer Michael Reed. Birthed from drumming clips uploaded online during the pandemic, Michael and Paul fostered their creative partnership through the medium of Skype, resulting in a timeless jazz-funk LP ‘Lost To The Storm’, despite living on separate continents and yet to meet in person.

Taken from the namesake of a vintage intercom, Call Sender’s debut album ‘Lost To The Storm’ has an old-school vintage foundation with a modern perspective. The album is cinematic and timeless yet fresh, drawing comparisons to Big Crown Records, Surprise Chef and the new wave of jazz-funk artists.

Influenced by iconic acts such as Klaus Weiss, Miles Davis, and Nino Nardini, as well as obscure library tracks, experimental music, European film soundtracks and a hip and funky sonic aesthetic, Call Sender’s music is nostalgic without being pastiche, has a sense of travelling at its core, having been recorded in different parts of the globe, while never hesitating on the direction of the music.

“It was never overtly discussed but I believe we wanted to continue that tradition and have funky stuff that had a cinematic vibe to it”, says Michael. Paul adds: “I kinda thought as we were making ‘Lost To The Storm’ that it could be the soundtrack to a weird and obscure film - instrumental, funky at times, some drama.”

The artwork by award-winning photographer George Karbus, one of the world’s leading outdoor photographers, perfectly encapsulates the imagery of ‘Lost To The Storm’. All titles of the album tracks are named after places near where Michael and Paul live, half from The Bay Area, USA and the other half from Suffolk, UK. ‘Lost To The Storm’ takes its name from the lost town of Dunwich on the Suffolk Coast. “A town literally lost to a storm – Britain’s version of Atlantis!” Paul jokes.

Tracklist:
1. Mad Mark
2. Nova
3. Midnight at Baker
4. Old Survivor
5. Tidefall
6. The Black Dog
7. The Red House
8. Lost To The Storm
9. Wilderness
10. Sizewell
11. Panorama
12. Palm Forest

Gabriel Rowland - MILS006: Gente Soul

The Madlib Invazion Music Library Series was created by Madlib and Egon over the course of the Pandemic, and was a chance to give their creative friends the ability to stretch out and indulge in whatever type of music they wanted for release on the label.

The music had to be great and able to be presented as a stand alone album – like the best “Music Library” releases of the past, on labels like Italy’s Sermi, Germany’s Bruton, France’s MP2000 and the UK’s DeWolfe. And, like those albums, it had to work as easy, one-stop clearance for background cues in film and television production and, as producers have been indulging since the 1990s, for sampling.

The series contains 12 releases by DJ Muggs, Karriem Riggins, J-Zone, the Heliocentrics’ Malcolm Catto and Jake Ferguson, JJ Whitefield of Karl Hector/Whitefield Brothers/Poets of Rhythm, Motif Alumni and Music Research Library, Mario Luciano of Polyphonic Music Library, Henkel, Gabriel Rowland of Los Yesterdays, Dan Hastie and Terin Ector of Orgone, Dan Ubick and Joe Harrison

The albums will be released on the Madlib Invazion Bandcamp on the first Friday of each month over the course of one year. Listen, ponder, repeat.

Tracklist:
1. Liberation
2. Skerd
3. Panorama
4. T.O.F.
5. The Wrong Hustle
6. Why Can't It Be Like
7. Baby Kute Purple
8. So F'd Up Inside
9. Spy Carnalito
10. Vitamin Psych
11. Rub Buster
12. Romantico
13. Let's Keep It Easy
14. Don't Speak
15. Mad Quakes
16. Cry Folder Cry

ATA Records - ATA Records: The Library Archive Vol​​​.​​​3

The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack vision of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express & Outer Worlds Jazz Ensemble.

It only seemed natural for the team at ATA Records to scratch their own Library itch and so "The Library Archive Vol. 1" was born in 2019. Recorded over a series of sessions in the Aladdin’s Cave of vintage recording equipment that is ATA studios, it featured many of the ATA stable of performers.

Released in 2021, "The Library Archive Vol. 2" still had the golden age of European Library music squarely in it's sights, but this time the focus was drawn more to the off-kilter soul organ sound of Italian quartet I Marc 4.

These two volumes garnered praise from Library aficionado Shawn Lee ("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himself, Alan Hawkshaw.

And so to "The Library Archive Vol. 3": taking heavy inspiration from Jungle Obsession 9 by Roger Roger, and The Feed-back, as well as Blaxploitation era composers such as Willie Hutch and Melvin Van Peebles, and the masterful and ingenious Roy Budd, "The Library Archive Vol. 3" draws deeply from the well of library greatness.

Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive’ Vol. 1 & 2, recorded on the same instruments and equipment and with the same techniques as the music that inspired it, with a focus throughout on stripped-back rhythm sections topped by flute, vibes and vintage synths.

With three volumes now out and another currently in R&D, The Library Archive will stand as a testament to the love the ATA producers and artists have for the original composers and performers.

Tracklist:
1. Ten on the Door
2. Hips & Lips
3. Hardcastle, Pt. 1
4. Countdown to Catastrophe
5. Fear on Phobos)
6. Loisaida Man
7. Pineapple Diode Daiquiri
8. Penthouse in Pernambuco
9. The Infernal Clock
10. The Street Is Family
11. Satan Stalks Among Us
12. It's Alive!

Dan Ubick - Magnetic Fields

The Madlib Invazion Music Library Series was created by Madlib and Egon over the course of the Pandemic, and was a chance to give their creative friends the ability to stretch out and indulge in whatever type of music they wanted for release on the label.

The music had to be great and able to be presented as a stand alone album – like the best “Music Library” releases of the past, on labels like Italy’s Sermi, Germany’s Bruton, France’s MP2000 and the UK’s DeWolfe. And, like those albums, it had to work as easy, one-stop clearance for background cues in film and television production and, as producers have been indulging since the 1990s, for sampling.

The series contains 12 releases by DJ Muggs, Karriem Riggins, J-Zone, the Heliocentrics’ Malcolm Catto and Jake Ferguson, JJ Whitefield of Karl Hector/Whitefield Brothers/Poets of Rhythm, Motif Alumni and Music Research Library, Mario Luciano of Polyphonic Music Library, Henkel, Gabriel Rowland of Los Yesterdays, Dan Hastie and Terin Ector of Orgone, Dan Ubick and Joe Harrison

The albums will be released on the Madlib Invazion Bandcamp on the first Friday of each month over the course of one year. Listen, ponder, repeat.

Tracklist:
1. The Leaves Are Turning
2. La Seine À Minuit
3. Gris Gris
4. Sayonara
5. Hearts Of Darkness
6. Fine Like Wine
7. Painted Skulls
8. The Grotto
9. Blackbirds
10. Spanish Moss
11. Black Coffee
12. Fly Swatter
13. Dawn Patrol
14. Muitas Caipirinhas
15. The Return
16. El EscorpIón
17. Flooding
18. The Villa
19. Mojo Hand
20. Antenna Up
21. Flip Of A Switch
22. Snakes In The Walls
23. World On Wheels
24. Magnetic Fields
25. Mati Self Portrait
26. Aïr Zaïre
27. Paranoid Void
28. The Silver Queen

J-Zone - Intoxicated Skull

The Madlib Invazion Music Library Series was created by Madlib and Egon over the course of the Pandemic, and was a chance to give their creative friends the ability to stretch out and indulge in whatever type of music they wanted for release on the label.

The music had to be great and able to be presented as a stand alone album – like the best “Music Library” releases of the past, on labels like Italy’s Sermi, Germany’s Bruton, France’s MP2000 and the UK’s DeWolfe. And, like those albums, it had to work as easy, one-stop clearance for background cues in film and television production and, as producers have been indulging since the 1990s, for sampling.

The series contains 12 releases by DJ Muggs, Karriem Riggins, J-Zone, the Heliocentrics’ Malcolm Catto and Jake Ferguson, JJ Whitefield of Karl Hector/Whitefield Brothers/Poets of Rhythm, Motif Alumni and Music Research Library, Mario Luciano of Polyphonic Music Library, Henkel, Gabriel Rowland of Los Yesterdays, Dan Hastie and Terin Ector of Orgone, Dan Ubick and Joe Harrison

The albums will be released on the Madlib Invazion Bandcamp on the first Friday of each month over the course of one year. Listen, ponder, repeat.

Tracklist:
1. Shiva Strut
2. Shirley Got Bigger
3. Orange Forever
4. Nasty Popcorn Ceiling
5. Side Eye
6. Calgon
7. Truck Stop
8. Gangsta Boogie
9. Mr. Mean
10. Seebourg
11. Nitro
12. Du Jazz March
13. Intoxicated Skull
14. Lil' Mallet
15. Oyster Sammich
16. The Bastard Tambourine

Jake Ferguson featuring Malcolm Catto - Emotions Run Dry

The Madlib Invazion Music Library Series was created by Madlib and Egon over the course of the Pandemic, and was a chance to give their creative friends the ability to stretch out and indulge in whatever type of music they wanted for release on the label.

The music had to be great and able to be presented as a stand alone album – like the best “Music Library” releases of the past, on labels like Italy’s Sermi, Germany’s Bruton, France’s MP2000 and the UK’s DeWolfe. And, like those albums, it had to work as easy, one-stop clearance for background cues in film and television production and, as producers have been indulging since the 1990s, for sampling.

The series contains 12 releases by DJ Muggs, Karriem Riggins, J-Zone, the Heliocentrics’ Malcolm Catto and Jake Ferguson, JJ Whitefield of Karl Hector/Whitefield Brothers/Poets of Rhythm, Motif Alumni and Music Research Library, Mario Luciano of Polyphonic Music Library, Henkel, Gabriel Rowland of Los Yesterdays, Dan Hastie and Terin Ector of Orgone, Dan Ubick and Joe Harrison

The albums will be released on the Madlib Invazion Bandcamp on the first Friday of each month over the course of one year. Listen, ponder, repeat.

Tracklist:
1. Freestyling
2. 21st Century Blues
3. Well Well Well
4. String Fantasy
5. Train A Coming
6. I Wonder
7. Emotions Run Dry
8. M For Drums
9. Salamander
10. Moroccan Firecracker
11. Dune

Lorenzo Morresi & Le Isole - Pop Flop

We can safely say that some of the past Italian library music masterpieces will hardly reach the export levels of mainstream Italian pop music. However, there is no doubt that the recent rediscovery operation led by some record labels such as Schema, Sonor, Four Flies, Intervallo and many others, has helped to create a lively and passionate record collectors’ market where names such as Umiliani, Brugnolini, Torossi, Tommasi, Braen, Iacoucci, Alessandroni are the watchwords for entering a wonderful and relatively unknown musical territory.

It is probably better to avoid comparing library music to the world of movie soundtracks, even if most of the aforementioned names were working across both fields. A prestigious name like that of Ennio Morricone is the perfect example of someone involved both in library music and soundtracks - but his imprint is too established to give the idea of the purpose of Italian library music, which was mainly to add sonorization to television programs that were lacking visual substance.

For a great number of years these compositions were placed in artistic oblivion and only in recent times a group of enthusiasts around the world started sharing their passion for Italian library music. Among these enthusiasts the main character of this (our) story is Lorenzo Morresi, Italian producer, musician and DJ working between Milan and London where he collaborated with several artists from around the world. Driven by a strong passion for jazz, funk and disco, Lorenzo met Italian record producer and musician Luciano Cantone (aka ‘Le Isole’) many years ago. Luciano played Lorenzo some rare Italian library music gems that he was repressing; laying the first bricks of their mutual passion for this genre.

Soon after Lorenzo started producing music in that genre; combining jazz and funk grooves, Italian synth melodies and vintage electronic sounds. Last year, to much critical acclaim, he released the album ‘Cosmica Italiana’, made in collaboration with British multi-instrumentalist, producer and DJ Ed ‘Tenderlonious’ Cawthorne, and released via his record label 22a, one of the most respected contemporary jazz labels.

In March 2022 Lorenzo and Luciano started pre-producing ‘Pop Flop’ at Schema Records headquarters in Milan. Part of the album has also been produced at ‘Museo Del Synth Marchigiano & Italiano’, an incredible collection of rare Italian vintage synthesizers located in Le Marche region where Lorenzo was born. These Italian synthesizers (manufacturers such as Farfisa, Crumar and Elka) were very popular in the 1970s for library music and soundtracks, and they were also used outside of Italy by the likes of John Paul Jones from Led Zeppelin, Keith Emerson, Jean-Michel Jarre and Ray Manzarek from the Doors.

As Morresi himself explains, “I tried as a form of respect and love to avoid an album that simply imitates those fifty year old masterpieces, so my idea has been to add contemporary musical elements and genres together with modern production techniques to create something original”.

Pop Flop has a warm, cinematic and philological feel; well balanced between tradition and innovation, fusing elements of funk, classical, acid jazz, afrobeat, trip hop - to name a few - and all whilst paying homage to those fantastic years.

The song titles sound like we’ve been transported back to 1972 in a time machine: “Odeon," "Slalom," "Savana Urbana", "Beta Erotica”, “Allegro Funerario," "Rio De Janeiro Filter," and so on.

We are sure that masters like Umiliani, Tommasi and Brugnolini will be pleased with the end result and will undoubtedly be smiling down from the sky.

Tracklist:
1. Slalom
2. Odeon
3. Rio De Janeiro Filter
4. Savana Urbana
5. Beta Erotica
6. Pop Flop
7. Allegro Funerario
8. Sulla Strada Della Luna
9. Post Presente
10. Track ID