Since its inception, producer and composer Joe Acheson has carefully
developed Hidden Orchestra from a simple initial project concept of ‘an
imagined orchestra’ into something that has flourished into a widespan
musical universe of its own, that is truly unlike anything else.
After multiple albums with respected independent label Tru Thoughts,
continued support from the likes of The Guardian, BBC6Music, FIP,
JazzFM, several awards for innovative soundtrack work intertwined with
AI and consistent global touring of an energetic and intriguing live
show featuring two duelling drummers, their reach and influence has
swollen to make them one of the highest regarded names in independent
music today and has even led to collaborations beyond the world of
music, with The British Library, Kew Gardens and National Trust all
enlisting Acheson for unique installation projects. Yet regardless of
the current brief in front of him, the initial mission statement to ‘create electronic music with acoustic means’ remains.
Acheson achieves this task with aplomb, conjuring intricate yet
expansive worlds of sound, built in collaboration with a select core of
talented musicians, combined with Acheson’s bespoke samples, field
recordings, and carefully honed composition and arrangement
sensibilities. Detail and craftsmanship are at the core of everything he
does, even musically directing a diverse array of instrumentalists to
capture unique samples of both improvised and scored nature. This
ingenious approach really sets his work apart from the crowd and allows
Acheson’s artistic vision to come to life exactly as intended.
While new album ‘To Dream is to Forget’ certainly maintains this mission
statement, it does also bring about a sea change for the project on a
few fronts. Released via Acheson’s own newly formed Lone Figures
imprint, the musical direction for the record involved a concerted
effort to condense musical themes and ideas into more immediate
arrangements, with less utilisation of field recordings than previously
released material.
Predominantly sticking to this ethos has indeed meant an average track
length reduction throughout, however there is still the same high level
of musicality and no shortage of ideas within this rich collection of 10
original tracks.
A familiar cast of contributors return - with long term members Jamie
Graham (drums), Tim Lane (drums), and Poppy Ackroyd (violin) all
present, alongside newer personnel - Jack McNeill (clarinet) and Rebecca
Knight (cello) all helping to realise Acheson’s musical vision.
The album title is taken from a line by Portuguese poet Fernando Pessoa -
“No one tires of dreaming, because to dream is to forget, and
forgetting does not weigh on us, it is a dreamless sleep throughout
which we remain awake.”
And this seems an apt calling card for a collection that draws influence
from a fantastic and diverse array of places. Musically at any given
point you are as likely to hear sounds akin to Max Cooper or Four Tet as
you are Stravinsky, Debussy, and Ravel.
With the idea of ‘reimagining’ playing a key role in the creation of the
project, this track leans into the overarching concept and nature of
dreams reworking everyday experience into new subconscious stories…
Tracklist:
1. Hammered
2. Little Buddy Move
3. Skylarks
4. Nightfall
5. Scatter
6. Ripple
7. Broken
8. Cage Then Brick
9. Reverse Learning
10. To Dream Is To Forget