Acting as the introduction to the musical world and lyrical narratives
of the upcoming record 'Like A River, the track leans into the river
theme, providing an all-encompassing, flowing journey. Tim von Malotki's
percussive bass clarinet lines cut through the meandering wash of
Benjamin Schneider's rootsy, highlife-inspired guitars and atmospheric
piano flourishes, courtesy of Jan Janzen. Vocalist Nora Beisel floats
across the arrangement, backed by emotive horn harmonies whilst
reflecting on the change of path at the end of a relationship; a new
orientation and course set.
"Musically we tried to really engage with the river metaphor. We worked
with all these 'water' sounds and effects that kind of produce this
ocean vibe. As the song evolves, it also follows along this idea of a
river that grows stronger and more dangerous as the current grows."
An album focused on transitional moments in life, and separation from ingrained social ideals.
'Like A River' is anchored around the three movements of 'Like A River
I-III' which act as the record's source, middle and end point. Set to be
accompanied by a film to which these movements are the score, it's an
achievement of songwriting & collective arrangement, incorporating
wide-ranging influences that span afrofunk, gnawa &
contemporary jazz. Whereas their previous albums have mostly linked to
afrobeat, and addressed topics like social equality, racial politics and
climate change, 'Like A River' is a concept album that takes a more
intimate, personal approach.
The album deals with transitioning and separations, taking on ideas
like: “at age 30 you should definitely have children, a house and a car,
or ideas on how to live relationships and love.” Separating from these
ideas or overcoming them can be challenging. The outcome can be
ambivalent as the separation of an idea also leaves you somewhat without
orientation. It might still be necessary to go off the ‘straight’ road
and follow a different path just like a river.
Tracks such as 'Like A River II' dip into swirling psychedelia centred
around an explorative 12/8 groove, whilst 'Carry Me' takes a subtle
shift away from the 70s analogue sounds favoured by the band, combining
full bodied synth soundscapes with euphoric horn arrangements. Not
content with just its core members, the group also employ the skills of
Belgo-Congolese vocalist Reinel Bakole for 'Let Go' and 'All This
While', further expanding their pool of influence into the world of
future soul.
Led by tenor saxophonist and composer Niklas Mündemann, Muito Kaballa
are a collective based in Cologne. Originally started as a one-man loop
station street show, the project has grown to be known for its eclectic
and mesmerising live show. The band have released three albums; 2019's
'Everything Is Broke', 2021's 'Mamari' and 2022's 'Little Child',
building a
steady fanbase and drawing critical acclaim from domestic press outlets.
Tracklist:
1. Like A River
2. All This While (feat. Reinel Bakole)
3. Luna
4. Like A River Part II
5. Let Go (feat. Reinel Bakole)
6. Carry Me
7. Once I've Learned
8. Like A River Part III