Friday, September 22, 2023

Kiefer - It's Ok, B U


Kiefer’s new album sees the L.A. based artist return to his roots – playing keys and making beats. It’s Ok, B U combines the hallmarks of Kiefer’s sound – masterful piano playing, mesmeric beats, and vibrant melodies – with serious emotional heft. In addition to being a celebrated solo artist, Kiefer is a Grammy-winning producer who has worked with the likes of Drake and Anderson .Paak.

Tracklist:
1. I Could Cry
2. Panic
3. My Disorder
4. Dreamer
5. High
6. Falling
7. I Wish I Wasn't Me
8. Head Trip (feat. Luke Titus)
9. Hips
10. Doomed
11. August Again
12. I was Foolish, I Guess
13. Glowing (feat. Pera Krstajic)
14. Forgetting U
15. It's Ok, B U
16. I Mean That



*Bonus (Kiefer - Dreamer - Live from Stones Throw Studios)



*Bonus (Kiefer - August Again - Live from Stones Throw Studios)

Steven Bamidele - Summing Up

"An introspective neo-soul masterpiece” - FIP
"Electronic Soul At Its Finest" – Clash
"Extremely talented. Gorgeously soulful" – Tony Minvielle (Jazz FM)
"Unbelievable talent" - BBC Introducing

'Summing Up’ is the debut album from singer, songwriter, and producer Steven Bamidele. The album is a deeply personal project that has seen Steven using lyrical exploration as a form of self-therapy, often unpicking themes of racial identity, family, and self-reflection.

The album features previous singles “Kaleidoscope feat. Scarlett Fae”, “Dark Sense Of Humour (Farfisa)”, and “Sitting In The Dark”, which have received support from Clash Magazine, Tony Minvielle (Jazz FM), Valida (KCRW), Bill Brewster, BBC Introducing, New Music Friday UK (Spotify), Lefto, Laurent Garnier and Stereofox.

Tackling subjects that include his childhood, mental health struggles and his relationships with those close to him, Steven Bamidele writes with an openness and integrity throughout ‘Summing Up’ that allows the audience to share and understand his stories, while also seeing a reflection of their own. With a Bossa nova-tinged guitar hook, focus track “Lesson Learnt” thoughtfully leaves space for individual interpretations on what it is to second guess what those around you need and expect from you; toeing the line between trying to live as an individual without disappointing the people close to you.

His relationship between individualism and relating to society is a topic explored across ‘Summing Up’. Brimming with carefully thought-out production, “Dark Sense Of Humour (Farfisa)” is written about his childhood experiences of displacement moving from Nigeria to the UK at a young age. Steven utilises the experimental musicality of the track to tell the story of these paradoxical feelings he dwelled on since relocating. These feelings, alongside his relationship with his late father as a mixed-race child, are echoed in “Head Down”. Here, Steven repeats the title of the track as the main hook creating an anthem for the introverts and outsiders who may feel like they are watching and waiting on the sidelines.

The theme of self-reflection and the years of obsessive dedication to finding his creative voice are also explored across the album. Highlighting his introspective style of song writing and production styles rooted in curiosity and exploration, “Kaleidoscope” is a love song shimmering with humility; “It’s to my girlfriend Lucy,” Steven explains, “it’s me saying I know I haven’t been the most present and attentive person, but I want to try and be better.” More open in their dedication, “Sitting In The Dark” and “Throw It All Away!” explore the tunnel vision Steven has had for making music over the years and the subsequent guilt he’s felt as family and friends have fallen to the wayside in pursuit of a dream.

Speaking about the latter track, he adds, “I wanted to make a dance track the way I would make one which is sad and awkward.” Stepping out of his comfort zone, the musical evolution of this track serves as a representation of Steven’s progression with making music, summing up what it means to find your feet and become a more authentic version of yourself both creatively and personally. “I’m a big fan of people doing what they do, no matter what anyone says; going against the grain, being stubborn about it. I think the best results in art come out of that attitude.”

From synths to found sounds, Steven has allowed ideas to come through organically, following impulses to tell stories and evoke feelings. As reflected on ‘Summing Up’, at a point in his life, music took over and Steven did whatever was necessary to make it happen. “It was when my dad passed and then covid arrived a couple of months later that I really started to slow down and accept that other people and things demanded my attention and care,” he acknowledges

With influences ranging from Marvin Gaye and Radiohead to Lianne La Havas and Solange, Steven crafts his own unique and intricate sound, combining synth textures, syncopated beats, and reverb-drenched falsetto to create psychedelic forward-thinking soul. After self-releasing several singles, his debut EP “Uncrowded” and the Salami Rose Joe Louis remix, Steven went on to be sampled by KayCyy for his “Get Used To It” mixtape. Under his former alias ‘Mirror Signal’, Steven was featured on the ‘Brownswood Bubblers 11’ compilation, performed a live session for Gilles Peterson and was selected by Jamie Cullum and PRS Foundation to perform at Montreal Jazz Festival in 2016.
 

Tracklist:
1. Sitting In The Dark
2. Dark Sense Of Humour (Farfisa)
3. No One Said
4. Lesson Learnt
5. Pathways
6. Throw It All Away!
7. Kaleidoscope (
feat. Scarlett Fae)
8. Misunderstood
9. Head Down



Eli Escobar - The Beach Album

Eli Escobar returns for his 9th full length LP. While his last few projects found him exploring downtempo beats, EBM and ambient influences, this latest offering of Eli's studio craftsmanship marks a return to the sound of his early releases like Up All Night and Happiness. Warm samples expertly woven into classic drum machine rhythms and searing synth lines, The Beach Album takes listeners on a journey through golden era hip hop beats, feel-good NY-styled house grooves into sweaty techno bangers. Similar to Eli's DJ sets, the 16 track long player has something for everyone. Created during the uncertainty of the pandemic when as Eli put it, "It didn't feel like the right time to release dance music," The Beach album celebrates the return of NY nightlife and optimism for the future.

Tracklist:
1. Intro
2. Daywun
3. Breeze
4. C@n U F33l It
5. Manhattan
6. In My Bones
7. If It Takes A Miracle
8. Kindbud Beat
9. Memories
10. Findaway2day
11. Smile
12. Down All Day
13. Springcancelled
14. He Loves Me
15. Shelter
16. Something Inside Of Me
17. Ocean Outro

muva of Earth - align with Nature's Intelligence

A spiritual soul inspired by nature, life and her experience living as an Afrikan woman, listening to muva of Earth is like planting your feet in rich warm soil; blending spiritual mantras and conscious lyricism, her music fusing afro-futurism, jazz, classical and more is truly transformative. Today, muva of Earth returns to announce her forthcoming debut project align with Nature’s Intelligence out 15th September via Brownswood Recordings and shares the gorgeous first single “heaven hear me above”. A soft and celestial spell lush with playful keys, delicate sparkling chimes and the harp expertly played by muva, this single explores her deep appreciation of being a unique and divine being. A meditative project centred around vulnerability, healing and an evolved way of thinking, on the forthcoming project across 8-tracks (also known as affirmations and chants) muva of Earth encourages empowerment and self expression.

Born as Davina Adeosun-Bright (Davina, which originates from the word ‘divinity’, Adeosun pronounced A-de-o-shu is yoruba tongue and means ‘Crown of Ọṣun’ which is a dedication to the orisha and goddess of the river, Ọṣun), muva of Earth was raised by Nigerian parents to be strong and independent. Making an impact early in her career, her live experience has already led her to open for Erykah Badu and Pink Siifu , as well as previous headline shows and plays at We Out Here, SuperSonicJazz , Cross The Tracks, XJazz! Festival and more. Previous singles including last year's “High” have garnered support from The Guardian, COLORS, Clash, Loud and Quiet, Hunger, RinseNotion, BBC 6Music, BBC Radio 1, NTS, and more.

Speaking on the single, muva of Earth says:

‘I wrote this song about what it means to be proud of what makes you unique,
A statement to the heavenly realms asking for understanding.
I may have hurt you in the past but I didn’t mean to,
I tried my best with the experience that i have,

Know my intentions are pure and that I am learning.
Love’
 

Tracklist:
1. heaven hear me above
2. no one else has your magik!
3. your intuition is your friend
4. Nserewa
5. Meditation: align with Nature's Intelligence (feat Sirius B)
6. free Soul
7. mermaid under the sun
8. the sun will guide you



Astrid Engberg - Trust

“Trust is for the love of my intuition. It’s for new motherhood and a reminder to myself and everybody that you’re allowed to be in the world in a different way than society dictates.”

Astrid Engberg’s masterful sophomore album Trust finds the Danish singer, producer, composer and DJ paying tribute to intuition and new motherhood. Spanning contemporary soul, nu jazz, electronic and more, the LP sees her collaborating with a line-up of Nordic talent as well as Los Angeles-based Miguel Atwood-Ferguson, a venerated multi-instrumentalist, conductor and composer known for works with Ray Charles, Flying Lotus, Thundercat, Dr. Dre, Mary J. Blige as well as his esteemed orchestral reimagining of J Dilla’s back catalogue titled Suite For Ma Dukes. Trust will be released through the Danish record label Creak Inc. Records which specialises in groundbreaking Danish music.

Growing up in a household where classical music was the sole genre of choice, which influenced her musical education through music schools and choirs, it was a world revered by her parents but one Astrid couldn’t conform to. Feeling different, or in her words “an alien”, she’d find her own sanctuary in music once she discovered her library’s CD collection aged 8. She’d fervently rinse instrumental jazz and West African records, among others, and make mixtapes. This routine continued until she was 15, by which point she was becoming confident in her voice and why music was essential to her.

“The reason I make music is because it’s my best language,” Astrid candidly states, while adding that singing brought her a sense of being at home. In her debut album Tulpa, which Bandcamp Daily listed as one of its Best albums of 2020 and brought national acclaim with winning Best Vocal Release of The Year from Danish Music Award Jazz, she was able to give words to her mental and physical recovery from a head injury in her young adulthood which still impacts her everyday life over a decade later.

Her latest album follows as a means of expression, taking form five months after giving birth to her first-born, a daughter. Created with playful joy, openness and gratitude, she recalls it as being a “super smooth and fast process.” Despite all structures and practical tasks being turned upside down as a new mother, Trust was complete nine months later. "I couldn’t have long rehearsals and recording sessions, so the album was given space to emerge freely and flourish inside myself. Most of it was written inside my head, for example, while I was taking a walk with my baby or when I sang to her, and then recorded in the studio or at home during the short periods I had free.”

Astrid has long mastered utilising her time, blasting through short-burst activity. Severe headaches and neck pain are the lasting effects of her bike accident, meaning across her years making music from Paris with French beatmakers and then returning to Denmark, her routine has been a couple of intense hours followed by rest. This was largely unchanged with the arrival of her daughter, putting her a step ahead.

Intuition comes into her methods with giving herself space and pushing against our high-paced performance culture. “You need to have space in you to hear what’s happening. In the past when I’ve composed, I’d hear a melody and try to follow it by hearing what falls around it. I feel with this album it was unfolding to me, naturally arising from within. You need to trust that what you hear is the way you need to go. Trust the process. Trust that it’s ok to play around with music, to take it down in your form. I want to encourage others to trust themselves through me learning to trust myself. My hope is that those who need it can feel understood in my music, that they can lean back in the sound, the words, and the circles of melodies intertwining with each other and think, 'ah, she understands me.’"

Intuition in motherhood relates to simply doing what feels right for herself and her daughter, often going against the status quo. Throughout her pregnancy and in the first few months of her arrival, Astrid’s headaches and pains ceased. Their return was difficult. Going into the studio and having that output was essential. By putting her daughter into daycare from an early age to allow for this time, she had to trust her intuition. “I see people casting judgement on this. She’d go for 2-3 hours and she was happy. I was a better mum because I could make music and rest. But even when you think it’s a good idea, it isn’t easy. It’s not like I’m made of stone - here take my baby.” Her track ‘On Time’ zones in on this, with the melody coming to her with the lyrics “You know that I try.” She adds, “Inside I was thinking what if she starts crying and I’m not there. I had all these worries. My mind was playing tricks. I had to tell myself that she’s fine because my intuition says so. I’m gonna be there when she needs me, so trust this, my daughter.”

As with her debut album, these 11 tracks were written, composed and produced by Astrid. Appreciating the value of collaborating, she brought in a string of talented musicians, including jazz trumpeter Tobias Wiklund and saxophonist Maria Dybbroe. “I was ready to be inspired by what they’d create which I’d later arrange in the way I want,” she explains. “It’s wonderful not to stand in the way of the ego. The conversations we’d have were great for me - moments of joy, laughter and then to work.”

In valuable conversations, her connection with Miguel Atwood-Ferguson looms large. Introduced to Suite For Ma Dukes not long after its 2009 release, it was a performance and record that blew her mind and became a Holy Grail in her collection. During the pandemic she’d reach out with some of her music after he put out a call for fans interested in online sessions with him. He enjoyed her music to the extent that he proposed to connect on a one-to-one level, and they’d have their first of several Zooms. On sending him the three album tracks that he features on, she recalls being red-faced when he said it was an honour to contribute.

“I’m so grateful for these tracks and his work. He’s a representation of the music business that I want to be part of. If I can in my own way, with what I am and who I am, be a kind of representation of that world, that’s cool for me.” - Astrid Engberg

“After meeting Astrid and discovering her music, I immediately felt like I met another member of my musical family. I love how earthy and celestial her voice, compositions, and productions are. I love how uplifting her music is while still feeling authentic and coming out of the realness of what seems to me like the suffering of any awakened and caring individual has. At a time when I feel that the world desperately needs more female leaders, Astrid in my opinion is a perfect example of someone whose voice needs to be amplified and enjoyed." - Miguel Atwood-Ferguson
 

Tracklist:
1. Blue Rise and The Fall (feat. Tobias Wiklund)
2. On Time
3. Falling (OK Not Cool)
4. Spirits Came Told Me (feat.
Miguel Atwood-Ferguson)
5. Feelings
6. I Should Care
7. Loving Contemplation (feat.
Miguel Atwood-Ferguson)
8. Radio2200
9. Chains (feat.
Miguel Atwood-Ferguson)
10. Body Follows Body (feat. Miguel Atwood-Ferguson)
11. Adaptation (Walls)

Black Rave Culture - Black Rave Culture Vol 3

Tracklist:
1. Full Circle
2. Blood Omen
3. One Way Ticket
4. Dat Jaunt Go Pt. 2
5. Crazy Legs
6. Run It Up
7. Blowin Os
8. Amtrak
9. Ama Beat That
10. Track Hawk

VA - Fabio Presents Generation Liquid (Volume 1)

Fabio, a true legend in the music industry for over three decades, kickstarted his illustrious career as a Pirate Radio DJ in the mid-80s. Throughout the years, he masterfully evolved his style across various musical genres, ranging from Dub and Hip Hop to House, until he ultimately solidified his position as one of the pioneering forces behind Jungle and Drum and Bass. Fate played a remarkable role in Fabio's extraordinary musical journey. Serendipitously, he landed a pivotal spot on the pirate radio station Phase One, all thanks to a connection through a close friend. This opportunity allowed Fabio to showcase his raw talent and hone his early skills. As destiny continued to guide him, Fabio formed a powerful partnership with Grooverider, and together, they soared to fame, headlining numerous major outdoor raves and orbital M25 parties during the late '80s acid house boom. The duo's magnetic presence and innovative sound captivated audiences, setting them apart as trailblazers in the electronic music scene.

As club culture blossomed, Fabio and Grooverider became the distinguished residents at the iconic club night RAGE, hosted at Heaven in the heart of London. Their influence was immense, as they were credited with moulding the early Jungle sound and orchestrating the world's first-ever weekly Jungle night. Fabio's unwavering passion and dedication to music have not only left an indelible mark on the industry but have also inspired countless aspiring artists. His boundless creativity and willingness to push the boundaries continue to shape the ever-evolving landscape of electronic music, solidifying his status as a true pioneer and a living legend.

After the Jungle scene declined and underwent a distinct shift in sound and style, Fabio took the initiative to establish London's first dedicated soulful deep Drum and Bass night, known as Speed. Week after week, Fabio shared the decks with LTJ Bukem, and their skillful sets eventually garnered immense popularity, drawing in not only junglists but also celebrities, club kids, record label A&R representatives, and the who's who of the West End at that time. When the curtain fell on Speed Fabio's legacy continued to flourish with the inception of his legendary Swerve weekly residency at The Velvet Rooms, which later relocated to the iconic club, The End. The influence of Swerve was profound, serving as a catalyst for the creation of influential labels like Hospital Records, Tony Coleman (also known as London Elektricity) became a regular attendee, further contributing to the scene's growth and innovation.

The term 'Liquid', was born out of Fabio's deep admiration and support for his protégé, the talented Northern Irish producer and DJ, Dominick Martin, famously known as Calibre. This inspiration led to the creation of his acclaimed 14-year radio show on BBC Radio 1, 'The Liquid Funk Show', which drew from Calibre's masterful productions that Fabio likened to "liquid gold" for the ears. Through this show, Fabio played a crucial role in breaking numerous iconic records, and artists such as Chase & Status, High Contrast, and many many more.

Now, 'Generation Liquid' takes the baton from the legacy of Speed, Swerve, and 'The Liquid Funk show', capturing the essence of the era and the soulful, deeper music that Fabio has championed throughout his illustrious career. This meticulously curated collection celebrates records that embody the spirit of soulful D&B, making it a must-have for anyone who has followed Fabio's musical journey since the vibrant days of the 1990s up until now.

The compilation is a treasure trove, featuring contemporary classics, late-night rollers, iconic remixes, and timeless Fabio originals. The roster of producers on 'Generation Liquid' is stellar, boasting names like Calibre, Alix Perez, High Contrast, MJ Cole, Chase & Status, and many others. It is an essential snapshot of soulful D&B at its peak, handpicked and presented by the genre’s Godfather.

Rest assured, all music is fully licensed and cleared, accompanied by stunning archival artwork courtesy of Karma London.
 

Tracklist:
1. Artificial Intelligence - Switch On
2. D. Kay - It's On The Way
3. Chase and Status - Hurt You
4. Alix Perez - Forsaken (ft. Peven Everett & Spectrasoul)
5. High Contrast - Racing Green
6. Jaheim - Put That Woman First (Calibre Vocal Remix)
7. Jonny L - Oh Yeah
8. MJ Cole - Sincere (Marcus Intalex & S.T. Files Remix)

VA - Revolution of the Giraffe

Diffrent Music roars back into action after an extended hiatus to raise a couple of young giraffes with the electrifying new compilation, ‘Revolution Of The Giraffe’ LP.

Launched in 2010 with the aim of bringing something new to a drum & bass scene that had become overly formulaic, the label has continuously pushed in new directions, often incubated tomorrow’s stars, and evolved beyond even that original grand ideal. ‘Revolution Of The Giraffe’ unleashes 17 tracks of bleeding-edge electronic music, proving that after 13 years, Diffrent still sounds like nothing else.

Core artists from the label’s distinguished history bring their expertise, such as drum & bass mainstay Arkaik and sound architect Fearful, who team up with label boss Dexta for the MC GQ-sampling ‘Old Skool’ — a new track with a classic Diffrent sound. And there are numerous debuts: A.Fruit reworks an all-time Diffrent classic, ‘Boxgroove’ by Dexta & Hyroglifics, into a glitchy halftime stomper; none60 bosses Silent Dust turn Dexta’s ‘SE4’ into a rebellious dancefloor juggernaut; and the mysterious Gaunt’s ‘Firefloor’ becomes locked ‘n’ loaded rave artillery in the hands of Pepsi Slammer.

Label stalwart Mauoq puts his signature psychedelic future dub spin on ‘Departed’ by Cuelock, who in turn delivers the ice-cold, grime-indebted ‘Pages Of Snow’. Lakeway conjures the epic ‘Even Though’, nearly eight minutes of ecstatic, spell-binding, hyper-rave wonder. Dexta goes solo with squelchy techno jungle stormer ‘Giraffes On Acid’. Even Sense MC makes an… appearance.

New-gen Diffrent acts are in fine form too. The inimitable BrandNewTrumpets opens the album alongside Macc; ‘We Are The Tightrope Walkers’ is a powerful spoken word piece that erupts into a hail of punishing breaks. No Nation, Sheba Q and BK Balance, meanwhile, turn out explosive, hi-tek junglism on ‘Too Late’. From Diffrent’s industrial-toned sister label Are We Really Alone? (A.W.R.A.), Amir De Bois joins forces with Fearful for the paranoid, jittering ‘73’; Tokyo’s Itti summons thunderous bass on the ritualistic ‘Rumbling’; and Croatian artist Spaj.A.S.E.’s competition-winning, mind-mashing remix of the first ever Diffrent release, ‘Everyones Mad’ by Chills, finally sees the light of day.

Always looking to the future, Diffrent also welcomes modern jungle visionary Eusebeia, who puts his ethereal touch to Crypticz’s ‘Could Have Been’, and Stateside up-and-comers Illexandra & TGRbass, who deliver the supercharged, elastic bounce of ‘Swampy Swami’.

Closing out with one from deep within the vaults, ‘Aftaparty’ is Beezy and MNTX’s ode to seeing where the night takes you. It’s a fitting note to end on, as a new era of Diffrent Music begins. Where will it take you? Join us on the ride and find out.

"I've loved every moment of the label so far: the fast-paced release schedules, the slow years, the podcasts, albums, singles, EPs, parties, etc. This compilation album signposts where we are at — a bunch of classic Diffrent artists, a load of new faces, and a few remixes thrown in for good measure. Each tune stands alone, but stands tall next to each of its siblings. I hope you all enjoy it as much as we have! The revolution is here, join the revolution!"
- Dexta


Tracklist:
1. Brandnewtrumpets & Macc – We Are The Tightrope Walkers (original mix)
2. Arkaik, Dexta & Fearful – Old Skool (feat MC GQ - original mix)
3. Lakeway – Even Though (original mix)
4. Dexta & Hyroglifics – Boxgroove (A.Fruit remix)
5. Amir De Bois & Fearful – 73 (original mix)
6. Itti – Rumbling (original mix)
7. Cuelock – Pages Of Snow (original mix)
8. Illexxandra & TGRbass – Swampy Swami (original mix)
9. Crypticz – Could Have Been (Eusebeia remix)
10. Dexta – SE4 (Silent Dust remix)
11. No Nation, Sheba Q & BK Balance – Too Late (original mix)
12. Gaunt – FireFloor (Pepsi Slammer remix)
13. Cuelock – Departed (Mauoq remix)
14. Dexta – Giraffes On Acid (original mix)
15. Chills – Everyone's Mad (SpajA.S.E. remix)
16. Sense MC & Dexta – Please Hang Up (original mix)
17. Beezy & MNTX – Aftaparty (original mix)

Hidden Orchestra - To Dream is to Forget

Since its inception, producer and composer Joe Acheson has carefully developed Hidden Orchestra from a simple initial project concept of ‘an imagined orchestra’ into something that has flourished into a widespan musical universe of its own, that is truly unlike anything else.

After multiple albums with respected independent label Tru Thoughts, continued support from the likes of The Guardian, BBC6Music, FIP, JazzFM, several awards for innovative soundtrack work intertwined with AI and consistent global touring of an energetic and intriguing live show featuring two duelling drummers, their reach and influence has swollen to make them one of the highest regarded names in independent music today and has even led to collaborations beyond the world of music, with The British Library, Kew Gardens and National Trust all enlisting Acheson for unique installation projects. Yet regardless of the current brief in front of him, the initial mission statement to ‘create electronic music with acoustic means’ remains.

Acheson achieves this task with aplomb, conjuring intricate yet expansive worlds of sound, built in collaboration with a select core of talented musicians, combined with Acheson’s bespoke samples, field recordings, and carefully honed composition and arrangement sensibilities. Detail and craftsmanship are at the core of everything he does, even musically directing a diverse array of instrumentalists to capture unique samples of both improvised and scored nature. This ingenious approach really sets his work apart from the crowd and allows Acheson’s artistic vision to come to life exactly as intended.

While new album ‘To Dream is to Forget’ certainly maintains this mission statement, it does also bring about a sea change for the project on a few fronts. Released via Acheson’s own newly formed Lone Figures imprint, the musical direction for the record involved a concerted effort to condense musical themes and ideas into more immediate arrangements, with less utilisation of field recordings than previously released material.

Predominantly sticking to this ethos has indeed meant an average track length reduction throughout, however there is still the same high level of musicality and no shortage of ideas within this rich collection of 10 original tracks.

A familiar cast of contributors return - with long term members Jamie Graham (drums), Tim Lane (drums), and Poppy Ackroyd (violin) all present, alongside newer personnel - Jack McNeill (clarinet) and Rebecca Knight (cello) all helping to realise Acheson’s musical vision.

The album title is taken from a line by Portuguese poet Fernando Pessoa - “No one tires of dreaming, because to dream is to forget, and forgetting does not weigh on us, it is a dreamless sleep throughout which we remain awake.”

And this seems an apt calling card for a collection that draws influence from a fantastic and diverse array of places. Musically at any given point you are as likely to hear sounds akin to Max Cooper or Four Tet as you are Stravinsky, Debussy, and Ravel.

With the idea of ‘reimagining’ playing a key role in the creation of the project, this track leans into the overarching concept and nature of dreams reworking everyday experience into new subconscious stories…
 

Tracklist:
1. Hammered
2. Little Buddy Move
3. Skylarks
4. Nightfall
5. Scatter
6. Ripple
7. Broken
8. Cage Then Brick
9. Reverse Learning
10. To Dream Is To Forget

Carlos Niño - (I'm just) Chillin', on Fire

Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.

So what does he say to those wondering if he’s a spiritual teacher?

“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”

Indeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño & Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.

But where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.

“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”

The vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”

While the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.

“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”
 

Tracklist:
1. Venice 100720, Hands In Soil
2. Mighty Stillness
3. Love Dedication (for Annelise)
4. Flutestargate
5. Maha Rose North 102021, Breathwork
6. Transcendental Bounce, Run to it
7. Taaaud
8. Spacial
9. Am I Dreaming?
10. Etheric Windsurfing, flips and twirls
11. Boom Bap Spiritual
12. Woo, Acknowledgement
13. Sandra's Willows
14. One For Derf
15. Conversations
16. Essence, The Mermaids Call
17. Eightspace 082222
18. Credits and Thank Yous for DSP Listening

Ohbliv - With All Things


Tracklist:
1. That Touch
2. MyMelody
3. Tell Me No Liez
4. Pathworking
5. Wannabeyours La Danse Mix
6. Morning Secks
7. Mo Betta

Bibio - Sunbursting EP

BIB10 was a landmark album for Bibio, crystallising over twenty years of his music career with expert guitar-based songwriting. One year on, he follows up with the equally masterful Sunbursting EP, as per the tradition he has kept with every album since his Warp debut in 2009. Not only are these EPs epilogues to each era and album cycle, but also enticing little worlds of their own: from the incendiary and ecstatic beats of The Apple And The Tooth, to the haunting downtempo folk of The Green EP, to the synthfunk and soul stardom of The Serious EP. Sunbursting EP is no different, drowning in retro warmth, and the wide array of instruments and styles that has made each new release from Bibio a highly anticipated one.

Frequent collaborator Olivier St. Louis wades into the opening ‘Sorry (Won’t Cut It)’ with elegant, smooth harmonies, as the two show off even more of their golden musical partnership with a rippling, funky lilt and lightly swishing drums. ‘A Matter Of Fact’ rocks and rolls over snappy, choppy rhythms, while twisting vocoded vocals are reflected in the disco ball. The centrepiece here is undoubtedly ‘All Of The Above’, a multi-phased tour through infinitely groovy movements. Saxophone melodies flow besides rotations of sitar guitar and glockenspiel twinkles, before a soulful funk switch-up lands in passionate, intimate territory, lined with red velvet satin, and fur. ‘Clay Dots’ and ‘Sunbursting’ are a bucolic closing duo: the former’s sunset coloured guitar plucks croon in the seaside, melting over subtle drum machine pulses, before the EP leaves with introspective, fluttering notes from saxophonist Óskar Guðjónsson.

Expanding his latest musical chapter, Sunbursting EP is another round of rock and pop prowess from Bibio.

Tracklist:
1. Sorry (Won’t Cut It)
2. Shine A Light On Your Mirror
3. A Matter Of Fact
4. Rosewoods
5. All Of The Above
6. Clay Dots
7. Sunbursting



*Bonus (Bibio - Sunbursting (Solo Guitar Session))

Friday, September 08, 2023

VA - Shapes: Collide (Compiled by Robert Luis)

Tru Thoughts proudly present ‘Shapes: Collide’, the latest addition to the label’s series of essential compilations curated by A&R, label founder and co-owner, DJ – Robert Luis.

After 24 years of independently releasing music, the ‘Shapes’ LPs celebrate the best of our wide-ranging and international roster, with established acts on the label, such Japanese MPC-wizard Anchorsong, Grammy-nominated LA-trio Moonchild and the imagined orchestra of Joe Acheson, Hidden Orchestra, sitting alongside newer signings, including London-based singer/songwriter Steven Bamidele, the new alias from Irish producer Cian McCann (Zero T) aka Bruk Rogers and the dynamic producer, keyboard duo Born47 & Onj.

The 36-track digital album includes fresh releases, classic catalogue pieces and imaginative remixes from influential names across many different scenes, like Seoul-duo Salamanda, Gilles Peterson’s STR4TA, Ashley Beedle’s North Street West trio, pioneer of the broken beat movement IG Culture, and many more.

“I always enjoy putting our yearly Shapes compilations together, as it allows me some time to look at the music direction of Tru Thoughts currently and going forward. The label has always embraced an eclectic and open-minded music policy, and this Shapes’ reflects that very well. With new artists making their initial music journeys with us alongside the more established artists of the roster but all of them connected by pushing themselves as artists and being creative within their own genres.” Robert Luis

‘Shapes: Collide’ is a milestone compilation for the label’s output, celebrating the talents of the intercontinental musical community that makes Tru Thoughts the diverse, creative and independent powerhouse it is, with music spanning the globe from the UK, US, Israel, Japan, France, Belgium, Switzerland, South Korea, Taiwan, Australia, and beyond. Eclecticism is at the album’s core, and the tracklist is an honest reflection of this, with the compilation programmed in two parts, creating moving connections between music for the dancefloor and for chilling at home.

‘Shapes: Collide’ pedestals debut albums from newcomers on the label – Nottingham-based soul-sister duo MELONYX’s ‘Soul Glow’; Bristol-based producer, artist, songwriter Slowe’s ‘Where The Mind Wanders’ and Brussels-based producer, multi-instrumentalist and DJ Kuna Maze, on his concept record ‘Night Shift’. While the comp also champions stalwarts on the roster; broken beat renaissance man WheelUP, Glaswegian creative polymath Rebecca Vasmant, and underground master-of-all trades Sly5thAve.

The artwork for the compilation is created by graphic designer James Mayall, creative director of Bexhill-based, Studio Mayall, who encapsulates and plays on the release title.

Robert Luis is the founder, co-owner and A&R for Tru Thoughts record label, he hosts a weekly radio show called Unfold and his DJ style covers a wide range of music from beats, jazz, jungle, grime, funk, bass, south asian grooves, tropical, hip hop, uk garage, reggae, soul to drum and bass. This eclectic style has resulted in him DJ'ing across the world, everywhere from underground clubs in Moscow, USA, Europe, Australia and across the UK to MTV Party's in Cannes, We Out Here, Love Supreme, Bestival, Montreux, SXSW, The Big Chill, V Festival and a whole host of festivals across Europe.
 

Tracklist:
1. Steven Bamidele - Kaleidoscope
2. Melonyx - Melanin Queens
3. Slowe - Stay Right Here
4. Moonchild - The Truth (Acoustic)
5. The Sindecut - Different
6. Sefi Zisling - Welcome Sunset
7. Karolina - Ready For Juju
8. Running Loving Something - I Love The Feeling
9. Sly5thAve - Energy
10. Palm Skin Productions - Rule of 12ths
11. Anchorsong - Windmills (Salamanda Remix)
12. Hidden Orchestra - XI. Flight (Cello & Strings)
13. Tiawa - Mountains Of Metal (Version)
14. Rhi - Craving Your Love
15. Biggabush - Black Swan Revival (Robot Riddims Hurting a Different Style Remix -Instrumental)
16. Origin One - Dance Again (Instrumental)
17. Aurora Dee Raynes - Something Sensible
18. Fybe:One - Don't Let Go
19. The Sindecut - Stand Tall (Club Mix)
20. Kuna Maze - I Told U
21. Rebecca Vasmant - Broken Biscuits
22. Sharky - Memories Of Vortex (El Payo Remix)
23. Luman Child - Grateful (North Street West Vocal Remix)
24. Anushka - Bad Weather (Str4Ta Remix)
25. WheelUP - Infinity
26. Nikitch - 507 Miles High (Ig Culture Remix)
27. Aurora Dee Raynes - Crazy That You Love (El-B Remix)
28. Bruk Rogers - LDN 313
29. zero dB - A Pomba Girou (Szajna Remix)
30. Hint - At the Dance (VIP Instrumental)
31. Lightning Head - Me & Me Princess (Jay Darkside Remix)
32. Crafty 893 - Boot It (Radio Edit)
33. Anchorsong - Common Ground (Azido 88 Remix)
34. Palm Skin Productions - Trickle Up
35. Ebi Soda - Playstation (Ash Walker Dub)
36. Born74 - Mind Vibrations

Khalab - Layers

Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry - a reflection of our life journey until this point.

On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record represents the culmination of a creative journey that began with Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music-making as a collective art form.

“Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with”, says Khalab.

In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida.

The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m'bira player Gabin Dabiré, Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen.

Layers still revolve around the key components of Khalab’s sound - dark and trancey electronics and his research into Black music and all its evolutions - but with a bigger emphasis on harmonic arrangements. Across the record, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084 and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations).

Tracklist:
1. Drone Ra (feat. Yazz Ahmed/Alessia Obino)
2. Conscious Friendship (feat. Emanative/Tamar Osborn/Grove)
3. Tunnel Of Jealousy (feat. Lady Blue Eyes)
4. Acid Vaccine (feat. Clap! Clap!)
5. Layers (feat. Joshua Idehen)
6. Female Side (feat. Tommaso Cappellato)
7. Mental Coach (feat. Gabin Dabire)
8. Romantic Loco (feat. Tenderlonious)
9. Tribal Noise

El-B - The Specials Folder

Tracklist:
1. N3
2. Space
3. Bleep Key
4. Sully – Broadway G (El-B Remix)
5. Untitled
6. Brixton 2 Croydon (2-Step Mix)
7. Streatham Dub
8. Chronic Groove
9. Alto Riddim
10. Pebbles

Yussef Dayes - Black Classical Music

Today, celebrated multi-instrumentalist and visionary artist Yussef Dayes announces his highly anticipated debut solo studio album ‘Black Classical Music’, released on September 8th via the revered Brownswood Recordings, Warners and Cashmere Thoughts Recordings. Alongside this, Dayes shares a first taster of the record, the title track “Black Classical Music” featuring Venna & Charlie Stacey.

First single “Black Classical Music” is an incredible opening statement and entry point to this new chapter.

Dayes introduces Black Classical Music in his own words;

"What is jazz? Where did the word derive from? Birthed in New Orleans, born in the belly of the Mississippi River, rooted in the gumbo pot of the Caribbean, South American culture & African rituals. Continuing a lineage of Miles Davis, Rahssan Roland kirk, Nina Simone, John Coltrane, Louis Armstrong ~ music that is forever evolving & limitless in its potential. The groove, it’s feeling, the compositions, the spontaneity, with a love for family, the discipline & dedication in maintaining the very high bar set by the pantheon of Black Classical Musicians. Chasing the rhythm of drums that imitated one's heartbeat, the melodies for the mind and spirit, the bass for the core. A Regal sound for this body of music."

“Black Classical Music” is Dayes 19 track debut solo studio album. At every turn, Dayes distinctive drum licks and Rocco Palladino’s bass are the sturdy anchors; aided by Charlie Stacey (keys/synths), Venna (saxophone), Alexander Bourt (percussion), and a whole host of honourable features including: Chronixx, Masego, Jamilah Barry, Tom Misch, Elijah Fox, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, the first professional orchestra in Europe to be made up of majority Black and ethnically diverse musicians.

Yussef Dayes discography is expansive and wide reaching; his rise can be first linked to the Afrocentric quartet, United Vibrations, alongside his two brothers - Ahmad and Kareem - and saxophonist, Wayne Francis. This was followed by the meteorically sucessful, but short-lived duo Yussef Kamaal, with keyboardist Kamaal Williams. More recently, Dayes released Live At Joshua Tree, an EP presented by Soulection, and other solo releases including the live album Welcome To The Hills and Love Is The Message, which was recorded Live at Abbey Road Studios.

His list of collaborators is ever-growing and has blossomed to include the finest talents across both music and fashion. From 2020’s album “What Kinda Music”, a collaboration with Tom Misch released on Blue Note Records which charted in the Top 5, to an official remix of Pa Salieu’s “Frontline”, on Wizkid’s “Made In Lagos” album, plus production for R&B royalty in Kali Uchis and Kehlani and 2022’s joint release with Soulection entitled Live At Joshua Tree. The late Louis Vuitton innovator, Virgil Abloh, hand-picked Yussef to soundtrack and curate the LV dinner show for Paris Men’s Fashion Week in January 2019, as well as having Dayes perform at the Louis Vuitton Museum in Paris and collaborating on many other projects.
 

Tracklist:
1. Black Classical Music (feat. Venna & Charlie Stacey)
2. Afro Cubanism
3. Raisins Under the Sun (feat. Shabaka Hutchings)
4. Rust (feat. Tom Misch)
5. Turquoise Galaxy
6. The Light (feat. Bahia Dayes)
7. Pon di Plaza
8. Magnolia Symphony
9. Early Daye
10. Chasing the Drum
11. Birds of Paradise
12. Gelato
13. Marching Band (feat. Masego)
14. Crystal Palace Park (feat. Elijah Fox)
15. Presidential (feat. Jahaan Sweet)
16. Jukebox
17. Woman's Touch (feat. Jamilah Barry)
18. Tioga Pass (feat. Rocco Palladino)
19. Cowrie Charms (feat. Leon Thomas and Barbara Hicks)



Jalen Ngonda - Come Around and Love Me

Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm—disarming packed rooms of rowdy concert goers, leaving them silent as they hold fast to every syllable sung. Plans for the album were struck just months before the COVID 19 pandemic shut the world down. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley's Extraordinaires) and a crack team of a-list musicians from the Daptone family. The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment.

Tracklist:
1. Come Around and Love Me
2. If You Don't Want My Love
3. Lost
4. That's All I Wanted From You
5. Please Show Me
6. Just Like You Used To
7. What A Difference She Made
8. Give Me Another Day
9. So Glad I Found You
10. It Takes A Fool
11. Rapture



James Blake - Playing Robots Into Heaven

James Blake has made a name for himself as an expert pop, soul, and R&B songwriter, but back in the day he was an idiosyncratic club wizard chopping up breaks and transforming synths for the likes of Hessle, Hemlock, and R&S. Playing Robots Into Heaven returns to those label-hopping days with new singer/songwriter sensibilities; the signature crooning vocals are there, but the tracks are dominated by bass. ‘Loading’ has pulsating two step rhythms, high pitched vocal cuts, and blazing synths fit for a pirate radio stream, while ‘Big Hammer’ is a bossy, lasering slice of Patois-fuelled dancehall and minimal trap.

Tracklist:
1. Asking To Break
2. Loading
3. Tell Me
4. Fall Back
5. He's Been Wonderful
6. Big Hammer
7. I Want You To Know
8. Night Sky
9. Fire The Editor
10. If You Can Hear Me
11. Playing Robots Into Heaven





*Bonus (James Blake - Structuring Robots Into Heaven (Part One))


Godblesscomputers - Faded Views

Ta-ku’s 823 and Berlin’s Jakarta Records are excited to announce the release of Godblesscomputers’s fourth full-length record, “Faded Views”. The LP melds bright electronic flourishes with laidback synth-driven backdrops across the nine-track release, weaving tapestries of mellow folktronica and groovy jazz harmony infused with continuous sonic intrigue that will keep you grooving into a tropical disposition. Paying homage to his musical moniker, the Bologna-based producer makes timely metallic interjections amidst lush, effortlessly groovy soundscapes. Explore a world of found, recycled, and synthesized sound on “Faded Views.”

Tracklist:
1. Colors
2. Mirrors
3. Hello
4. You Feel Me
5. Above The Lake
6. Burnt
7. Changing
8. Farfalle
9. Lama's Chant

Knxwledge - VGM.27

Tracklist:
1. Thursdays
2. Tmelft
3. Dntknxme
4. Fourth
5. Flyinthru
6. Krazi
7. Noextra
8. Lethem

Matthew Halsall - An Ever Changing View

Trumpeter, bandleader and composer Matthew Halsall announces landmark new album An Ever Changing View, an expansive, immaculately conceived project which presents Halsall’s signature blend of jazz, electronica, global and spiritual jazz influences.

An Ever Changing View will be released on September 8th on Gondwana Records (the label Halsall founded 15 years ago) ahead of a landmark show at The Royal Albert Hall in London on September 21st and UK and EU tour dates.

Halsall who has been hailed as one of the leading figures of the UK jazz renaissance has never seen himself as part of any one sound or scene: he builds his own sonic universe instead. An Ever Changing View finds him at his most experimental yet, once again expanding his sound and production techniques to create his unique brand of deeply meditative music.

During the album's creation, he was staying in both a beautiful architect’s house with breath-taking sea views and a striking modernist house, where he composed what he saw “like a landscape painting”. In these new environments, Halsall wanted to capture “the feeling of openness and escapism” and to approach making music again from scratch. “I hit the reset button and wanted to have complete musical freedom,” he says. “It was a real exploration of sound.”

An Ever Changing View comes in a package as striking as the music, with handmade fonts designed by Ian Anderson of The Designers Republic and the specially commissioned tapestry by artist Sara Kelly is a stunning and harmonious complement to the record's sound.
 

Tracklist:
1. Tracing Nature
2. Water Street
3. An Ever Changing View
4. Calder Shapes
5. Mountains, Trees and Seas
6. Field of Vision
7. Jewels
8. Sunlight Reflection
9. Natural Movement
10. Triangles in the Sky



Friday, September 01, 2023

The Sindecut and Ljeoma - Late

“Lovin' the groove n' vocal delivery" – Don Letts (BBC 6Music)
“British Hip-Hop Pioneers!” – Break to the Beat
“The Sindecut return better than ever with a tough, soulful, bottom-heavy delight of an album. A great mix of deep and catchy, which is exactly my style!” – Mr Scruff

Pioneering British Hip-Hop crew The Sindecut, featuring founding member DJ Fingers, and New York-based Geordie, singer-songwriter Ijeoma share their debut album ‘Late’, the cumulative outcome garnered from a 20-year creative collaboration and vision. ‘Late’ is being released as a super limited edition, hand-numbered, run of 500 vinyl, never to be repressed (in any format, variation or colour) ever again.

Talking about the upcoming album ‘Late’, Karl, aka DJ Fingers, says: “This album is a long time coming. I think the time has allowed us to mature in how we want to sound, and we are just attempting to build on our momentum creatively and are forever grateful to be collaborating with the musicians we work with.” Jess, aka Ijeoma, adds, “we paired the album with animations that interpret and bring to life the theme of each song on the record.”

London hip-hop collective The Sindecut are credited as one of the pioneers of the UK hip-hop scene, releasing the acclaimed ‘Changing The Scenery’ album in 1990 on Virgin Records (which was sampled by The Prodigy in “We Are The Ruffest” from the remix album of their classic ‘The Prodigy Experience’). The Sindecut were one of the first UK hip-hop groups to sign to a major label – fusing their sound with soul and reggae.

DJ Fingers is hailed as one of the first turntablists in the UK and featured in the iconic 1997 ‘Bad Meaning Good’ BBC documentary about UK hip-hop culture. A self-described Breakbeat DJ for MCs, he understands his role and link to the Sound System tradition. Influenced by the likes of Grandmaster Flash, Kool Herc, Grand Mixer DST, DJ Whizz Kid, and DJ Jazzy Jay – Fingers’ fundamental mantra is the running theme of “Knowledge of Self”, which he always strives to push conceptually through his many projects.

‘Late’ is interspersed with DJ Fingers’ trademark larger-than-life drums and Ijeoma’s magnetic vocals, lead-single “Different”, created on the day of Winnie Mandela's funeral, is about navigating and learning from life’s situations; while the jazz-infused single “Lucky”, laced with double bass and cinematic horns, was the first song the duo wrote for the album, and became the catalyst for the rest of the project. Album opener ‘Better Than Never’, is almost trip-hop in style, DJ Fingers atmospheric and cinematic hip-hop production meets Ijeoma’s yearning vocals, a formula selectively used throughout the sonic arch of the album, while reggae and dub seeps in on album focus track “Soldier”.

The album follows “Stand Tall”, an infectious slice of breakbeat street soul and The Sindecut and Ijeoma’s debut release on Tru Thoughts. “Stand Tall” was praised by the likes of Craig Charles, Don Letts (BBC 6Music) and Mr Scruff, and marked a new chapter for the duo on Tru Thoughts.
 

Tracklist:
1. Better Than Never
2. Soldier
3. Right Now
4. About You
5. Different
6. Change
7. Lucky
8. What You Love
9. All Mine
10. Freedom


Muito Kaballa - Like A River

Acting as the introduction to the musical world and lyrical narratives of the upcoming record 'Like A River, the track leans into the river theme, providing an all-encompassing, flowing journey. Tim von Malotki's percussive bass clarinet lines cut through the meandering wash of Benjamin Schneider's rootsy, highlife-inspired guitars and atmospheric piano flourishes, courtesy of Jan Janzen. Vocalist Nora Beisel floats across the arrangement, backed by emotive horn harmonies whilst reflecting on the change of path at the end of a relationship; a new orientation and course set.

"Musically we tried to really engage with the river metaphor. We worked with all these 'water' sounds and effects that kind of produce this ocean vibe. As the song evolves, it also follows along this idea of a river that grows stronger and more dangerous as the current grows."

An album focused on transitional moments in life, and separation from ingrained social ideals.

'Like A River' is anchored around the three movements of 'Like A River I-III' which act as the record's source, middle and end point. Set to be accompanied by a film to which these movements are the score, it's an achievement of songwriting & collective arrangement, incorporating wide-ranging influences that span afrofunk, gnawa & contemporary jazz. Whereas their previous albums have mostly linked to afrobeat, and addressed topics like social equality, racial politics and climate change, 'Like A River' is a concept album that takes a more intimate, personal approach.

The album deals with transitioning and separations, taking on ideas like: “at age 30 you should definitely have children, a house and a car, or ideas on how to live relationships and love.” Separating from these ideas or overcoming them can be challenging. The outcome can be ambivalent as the separation of an idea also leaves you somewhat without orientation. It might still be necessary to go off the ‘straight’ road and follow a different path just like a river.

Tracks such as 'Like A River II' dip into swirling psychedelia centred around an explorative 12/8 groove, whilst 'Carry Me' takes a subtle shift away from the 70s analogue sounds favoured by the band, combining full bodied synth soundscapes with euphoric horn arrangements. Not content with just its core members, the group also employ the skills of Belgo-Congolese vocalist Reinel Bakole for 'Let Go' and 'All This While', further expanding their pool of influence into the world of future soul.

Led by tenor saxophonist and composer Niklas Mündemann, Muito Kaballa are a collective based in Cologne. Originally started as a one-man loop station street show, the project has grown to be known for its eclectic and mesmerising live show. The band have released three albums; 2019's 'Everything Is Broke', 2021's 'Mamari' and 2022's 'Little Child', building a steady fanbase and drawing critical acclaim from domestic press outlets.

Tracklist:
1. Like A River
2. All This While
(feat. Reinel Bakole)
3. Luna
4. Like A River Part II
5. Let Go (feat.
Reinel Bakole)
6. Carry Me
7. Once I've Learned
8. Like A River Part III

Menagerie - The Shores of Infinity

Australian 9-piece Spiritual Jazz group Menagerie announce their highly anticipated fourth album 'The Shores Of Infinity' - representing the 3rd LP to be released by Freestyle Records from the Melbourne-based Jazz ensemble, founded by producer, songwriter, guitarist, DJ and recording artist Lance Ferguson (The Bamboos, Lanu, Rare Groove Spectrum, Machines Always Win).

Menagerie released their debut album They Shall Inherit in 2012 via Tru Thoughts, before releasing The Arrow Of Time on Freestyle in 2018 followed by the critically acclaimed 'Many Worlds in 2021. Inspired by both the post-Coltrane generation of the 70's and the current "New Wave Of Jazz", Menagerie have made serious waves internationally, being championed on Worldwide FM, Jazz FM and Jazzwise. They were nominated in the Best Jazz Act category of the 2021 Music Victoria Awards, and in 2022 performed as part of the esteemed Melbourne International Jazz Festival. Now, two years on from their last full length album, Menagerie are back with The Shores Of Infinity, further expanding their sound out into the music universe - a forward-looking, rhythm-heavy expression of contemporary Jazz that is steeped in the tradition but somehow also defies genre pigeonholing.

"So well - and lovingly - executed that it's ultimately impossible to ignore.." Jazzwise

"There is an overarching sense of profound amazement throughout it all…" Blues & Soul

"A stunning work, full of integrity and class… Essential." Echoes

"Wonderful record, full of some great Kamasi/Donald Byrd/even Art Blakey moments!" The Guardian


Tracklist:
1. The Shores of Infinity
2. Kingdom
3. Earthrise
4. Arrival
5. Of
6. Danieda's Dance